Blogs

A Trip Down The River: My thoughts on the first 3 Episodes

I'm a little late to the party but I thought I’d talk about ABC’s latest TV show The River and share some of my early thoughts about what we’ve seen so far.
For the readers unfamiliar with the project, The River follows a mixed group of old friends and new acquaintances as they set off down the Amazon River in search of famed explorer Dr. Emmet Cole (Bruce Greenwood) who has disappeared somewhere in the area six months prior.

Dare You Brave The River?

To fuel the fear and anticipation of their upcoming mystery horror TV show The River, ABC have launched a nifty little site, Explore The River.

With an eerie, booming soundscape working the magic, the site transports you to Amazonas, Brazil where you board The Magus and join in on the crew’s search for a famed explorer Dr. Emmett Cole.
As you explore such locations as the lower decks and panic room, you can access short, tantalising clips from the show’s premiere.

Welcome to Killer Cuisine

Killer Cuisine by Shannon Hilson, MoreHorror.com

I've always been the sort of person who thinks that no movie night is really complete without the addition of the right food and drink. After all, food brings people together and can really set the tone for an evening whether we're talking about a casual get-together or a major event. Food is a big part of how I show my loved ones I care and how I add joy to my own days as well.

That said, it's really hard for me to actually watch a movie -- especially repeatedly -- without thinking about what kind of food would go best with it the next time I decide to throw on that particular DVD. Sometimes it has something specific to do with food that was cooked or eaten within the context of the movie, but other times it just has to do with matching the feeling attached to a particular meal to the feeling created by the movie.

It's this type of thinking that's behind our new Killer Cuisine column here at MoreHorror. Lately, I've found myself realizing that horror movie night is best when enjoyed with great company, great eats, and perhaps the right beer, wine, or cocktail in hand as well. We're looking forward to sharing all our favorite combinations with you in the future.

Treat the recipes included as a suggested menu for an organized movie night that includes your friends or family... or else simply use them to treat yourself and your significant other to a rainy Saturday night at home. It's totally up to you! Happy cooking, horror fans! We look forward to seeing where this new project of ours takes everyone involved.

Jesse's Top 5 Horror Films of 2011

by Jesse Miller, MoreHorror.com

2011 was somewhat of a quiet year for the horror genre and me and I still haven’t seen everything I would’ve liked to – but so far, here’s the top 5 horror films of 2011 that made quite an impression on me.

5. Final Destination 5

Let’s face it, they never meant The Final Destination to be the last one.

After all, you really can’t stop death, can you? – Haven’t these film makers learnt anything from their characters?

But seriously, Final Destination 5 was a return to form for the series, after the drab and dreary last two installments. Tony Todd’s return was a welcomed one and the writers threw in this interesting little twist to shake up the familiar formula.
Not all of it worked but damn if it wasn’t tense as all hell – and with one of the year’s best horror soundtracks, The Final Destination series is back with a vengeance. Here’s hoping they do get around to these back-to-back sequels and give them hilariously bad names like I know what you did last final destination Too much? How about A Final Destination: Part 1 & 2? Ok, I’m stopping.

Also, I’d really like to see them go through the mythology of Tony Todd’s character.

4. The Rite

There’s nothing quite like a good Exorcism film is there? Demonic possession, creepy voices, contorted bodies, a great feeling of dread – the old tale of good versus evil. The Rite wasn’t perfect but it didn’t have to be, it was actually quite satisfying in it’s own way – you have the timeless tale of a priest losing faith, coming face-to-face with something demonic, evil and supernatural and having to confront himself and his issues, you had an abundance of chilling moments and hey – Anthony Hopkins is in it. I was already sold.

3. Chillerama

An absolutely crazy throwback to a mix of different sub genres while also managing to be a touching homage to the days of the drive- in. It’s a little out there but damn is it great for a laugh!

Jason's Top 5 of 2011

Jason Lees top 5 Horror of 2011by Jason Lees, MoreHorror.com

Hey, it’s almost the middle of January, so that of course means it’s time for me to post my Top 5 Films of 2011. (Don’t look surprised, I’m still writing ’11 on my checks and I still have lawn furniture sitting outside the garage) The following films are ones that may have snuck out prior to last year but are ones that I just got around to seeing. And when I say “top” I mean they’re the ones that stood out the most. I bet there were some better films released last year, but when I looked back, these are the ones that really burned themselves into my psyche. So, in no particular order:

5. CHILLERAMA (Best Reason to be nostalgic for something that never existed)

This throwback to a time when cinema was… oh, wait, movies were never like this. CHILLERAMA tries to be a time capsule to when drive ins ruled the world, but let’s face it, those old cheapies were never this much fun. A wholly original anthology film from a bunch of guys with too much creativity and not enough impulse control, CHILLERAMA was probably the film that I pushed onto friends the most. This one, complete with carnivorous sperm, a dancing Kane Hodder, and the most gratingly catchy musical numbers ever has earned its place on this list. I think more than any other film on this list, this is the one that I most wish I could’ve seen in a packed theater during its run.

4. DRIVE ANGRY (Best Reason to still love Nic Cage)

Again, I missed this one in the theaters so I never saw it in 3D, but it’s still the most fun I’ve had watching Cage in years. I grew up thinking the man walked on water (Face/Off and The Rock being the reason mostly) but with shots to the ego like The Wicker Man and Ghost Rider, he’d sort of dropped off my radar until this film. I loved DRIVE ANGRY. It’s all piss and vinegar and whenever we get something from Todd Farmer onscreen, I’m not sure why, but I just love the attitude. Perfectly cast and more fun than it has any right to be.

3. INSIDIOUS (Biggest Crowd Pleaser)

When I say crowd pleaser, I mean that this flick had the audience I saw it with scream the most. I thought it was fun when I caught it on DVD. Sharp stuff with a cast who knew how to play it, and James Wan is getting better with each film he does (and the man started out pretty damned good). It was fun and smart, but it didn’t blow me away. That is until I saw it with an audience, and then I started to get it. This flick plays so much better when the people sitting around you belt out the screams from somewhere deep down past their gullets. The crowd I saw it with made the movie for me. Each time ol’ Darth Maul showed up, I had to brush popcorn off my head. I’ve watched INSIDIOUS several times now, both alone and in groups, and each time it’s a different experience, and that’s got to count for something.

My Top 5 Horror Films of 2011

Slyvian Experimentsby Shannon Hilson, MoreHorror.com

The start of a new year is the time when we all take a moment and reflect upon the year before. We pat ourselves on the back for our accomplishments and hope fervently for more of the same. We look at our failures and hope to God we don't pull any boners of quite the same caliber again in the year to come. And most importantly of all, we horror fans look back on the movies we've seen over the past 365 days and reflect on the ones that were especially good. The following is my personal list of highlights in horror from the past year.

5. The Hunters: Those who know my tastes in horror know that I like my movies to be a little bit more than just a series of gory killings and cheap scares. In other words, I almost always prefer my horror movies to have a plot and characters that have some depth to them. I enjoyed The Hunters because it gave me that. It also employed haunting visuals and excellent cinematography in the creation of an atmosphere I enjoyed being a part of.

4. Chillerama: Then on the other hand, I'm also a huge fan of humor... especially the really crass kind. Chillerama had me rolling as far as the comedic value of some of the segments. However, it still managed to tell me a few damn fine stories to boot. That combo made Chillerama a fresh and funny surprise in 2011 for me and many others.

3. Apollo 18: This one walks the line between horror and sci-fi, but that combo combined with the found footage approach that I'm a sucker for made this one a winner. Some critics were really hard on this film, but I thought it was quite fascinating... especially since they spent the time necessary to make the whole experience feel interesting and authentic to the viewer. If you're a space nerd like me who also happens to like horror, be sure to give this one a chance.

How 'A Christmas Carol' Introduced Me to Horror

Jacob Marley

The more I think about horror and explore the genre more thoroughly, the more I really realize I've always been a big horror fan whether I knew it way back when or not. I'm one of probably a jillion people who make it a point to reread A Christmas Carol by Charles Dickens every year at holiday time (and watch several different versions of the film production). However, this year might be the first I gave it much thought as a potential horror film. I know a lot of people would argue with me there, but really. This story (along with many others from the Victorian and pre-Victorian eras) has several strong elements of horror about it. I'm a bit surprised that I never considered the matter in more depth before, especially since the cast of characters is riddled with ghosts.

However, I'm thinking my missing it for so long possibly has to do with my first actual exposure to the tale itself coming my way thanks to Mickey's Christmas Carol, Disney's contribution to the slew of Christmas Carol variants out there today. It's hard to be scared of Goofy or Jiminy Cricket even if they are supposed to be "dreadful apparitions", but then I suppose that's the point. Pegleg Pete as the Ghost of Christmas Future wasn't exactly something I'd want to hold hands with while I skipped down the street, but still. Not exactly menacing at all.

I certainly never got the impression that in their pure form, these ghosts are supposed to be scary... and you know what? They are... and they should be. After all, Scrooge is a real hard-ass. It would take something an awful lot worse than Goofy tripping over his chains before falling down the stairs and Jiminy Cricket spouting some snotty little lecture on morality to make someone like that change his ways.

Bobblehead Satan Knows Everything

Nick of Time

We horror fans are interesting folks, to be sure. It seems like each one of us has a unique identity of sorts that is attached to a particular sub-genre of horror or suspense. For the longest time, I don't think I thought that I personally had one. However, I've since changed my mind about that and I can't believe I've never seen it before. I can legit be referred to as a vintage horror/suspense fan if ever there was one. Really, anything with Hitchcock's name on it? Or Lugosi's, or Chaney's, or anyone else old school? Sign me right up, man.

Oh, yeah... and you can add Rod Serling to that list. I'm a Twilight Zone nut and like most Twilight Zone nuts, I have a few specific episodes that I really dig and watch over, and over, and over ad nauseum. This one -- "Nick of Time" -- is probably the one I obsess over the most. To refresh your memory, that's the one where Shatner's character, Don and his wife almost wind up trapped in some podunk town forever because a napkin holder with a Satan head on it tells them they will be royally screwed if they try to bounce. Aside from that crazy plotline, I guess I have my reasons for the obsession.

- It's about fortune-telling, precognition, and all that other good stuff. For those of you who don't know, I do astrology, tarot readings, and similar things as sidelines, so naturally this plot device appeals to me. Serling is a bit heavy-handed with his... er... expression of his own feelings on the idea of fate, seers, and the like, but it's all good. If you're any kind of fortune-teller yourself, it's wise to have a sense of humor about such things.

- It has the hot William Shatner of yesteryear in it. I don't recall exactly how old he was when this episode was shot, but it was for reals long before middle-age bloat got the best of him. (Sorry, Mr. S. You know I love you anyway.) He also spends the whole episode totally over-acting the way only he can and that's what really makes this episode for me. Any way you slice it though, I am pretty sure I shall always have a bit of a crush on him, because he's one in a million and definitely one of my favorite veteran actors.

That said, I'm really very sorry that he was only in this episode and "Nightmare at 20,000 Feet" because I really do like him in this series and feel he brings something special to the table. In fact, I think it would have been excellent if "Nightmare" with its post-mental hospital, over-neurotic version of Shatner had been an actual continuation of the "Nick of Time" plot, although don't think for a minute that's not what I really believe in my heart.

- It's written by Richard Matheson, one of the most awesome storytellers of all time in my humble opinion. For those who may not be familiar with his work, he not only wrote several noteworthy episodes of The Twilight Zone, but also the stories behind movies like I Am Legend, The Box, Stir of Echoes, Somewhere in Time, and What Dreams May Come -- all extremely noteworthy for their plotlines and use of imagination.

- I'm obsessed with the mystic seer napkin holder for some unknown reason. I don't know if it's because it has a devil head on top of it or what. (I've always had this liking for devils and such for God only knows what reason.) However, I'm inclined to think I just like it because it's weird. I mean... how many small town diners have such things on every single table? Probably none, but I can tell you this much. If I ever wind up with a diner in my possession, that's totally what the napkin holders are going to look like.

And you can just stop laughing at me right now, because it's possible. See? They make replicas, one of which I desperately need to obtain for my desk one of these days. It's little touches like this that will make my crappy little hypothetical diner the talk of the town one day, just you wait. Hopefully no one burns it to the ground or anything.

So what are your favorite episodes of The Twilight Zone and why? Any favorite actors that you especially enjoyed seeing pop up in Rod Serling's twisted little worlds? Besides our friend Mr. Shatner, of course.

Scream Queen Spotlight: Laura Ramsey

Laura Ramsey (born 1982 in Wisconsin) has the face of an angel and the film resume on its way to becoming truly scream queen-worthy. While Laura has branched out to comedies such as She’s The Man, crime thrillers like Kill the Irishman and dramas including Lords of Dogtown, it’s her explosion on the horror scene that has landed her a spot in this blog.

In 2005 Laura had an impressive first year of horror. There was the psychological thriller Inside Out about the arrival of a mysterious doctor in a nice suburban town. Then there was the horror comedy Cruel World about a rejected reality star gone mad. The third of her 2005 horror releases was the film that she first caught my eye in, Venom about a supernatural serial killer in the swamps of Louisiana.

In 2006 Laura starred in the teen witch drama The Covenant about a group of young men with magical powers. Laura played the damsel-in-distress, but did have a prominent role. In 2008 she really broke through the scene with the unique film The Ruins based on the book by Scott Smith. This was the film where Laura really showed us her acting chops. Far from a dumb blonde, Laura played a relatable character and sweet girl who ends up in a horrific situation. You really believe her emotions as she starts to lose her mind.

Must Be the Season of the Witch

Bela Lugosi Dracula

Ugh... long time no blog! Sort of, anyway. It seemed like just yesterday I was looking ahead to a Halloween that was still a month or so away and now it's nearly here -- next Monday, if I'm remembering correctly. I've been pretty busy with my various responsibilities both online and off, but I've still been finding some time to get into the spirit of the season for sure. Some of the things I've been exploring as far as horror goes really deserve their own entries at some point in the near future, but in the meantime, here are some snippets as far as Halloween at Seth and Shannon's house.

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I should have known I'd jinx myself when I speculated that I thought the nasty, sunny weather was finally over with in my last post, because it's been unseasonably hot here lately. Anyone who knows me even peripherally knows how much I haaaaaate this and how cranky hot (or even warm) weather makes me. If it's not actually a time of year when I feel I should actually have to put up with it, I really don't take it well.

Today it got up to about 85 or so, which pretty much meant I was a big poopy-face all day long. The sun was too bright. All the damned neighbors were out blasting their crappy music and letting their pets and kids run around loose and Lord knows I'm not a social animal. Seth got some things done in the yard and around the house today, but I basically hid in my bedroom and found a nice, people-free place in my imagination to hang out until the sun went down instead. I'm hopeful it won't be so hot tomorrow. It doesn't feel like autumn when it's like this and I feel really ripped off.

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We've, of course, been watching our share of horror movies lately. The other night, I actually had the privilege of seeing Mr. Bela Lugosi in his classic Dracula, as well as Mr. Lon Chaney in The Wolf Man. Believe it or not, I have never actually seen either of these films before. (I know -- shame, shame, shame on me!) However, there's no time like the present to rectify such things, right? Now that I am co-owner of an up-and-coming horror site, I really need to get on things like this.

Scream Queen Spotlight: Monica Keena

Monica Keena (born 1979 in New Jersey) is perhaps best known for her role as Lori Campbell in the equally loved and hated Freddy vs. Jason (2003). Keena played the good girl and main character who has to try and survive while two of horror’s greatest icons duke it out. While Keena was a great scream queem in FvJ, she has been doing the horror genre justice long before it came out.

Keena first caught my eye in 1997’s TV movie Snow White: A Tale of Terror. She was perfect as the angel-faced princess being pursued by her vicious step-mother. ATOT is how the story of Snow White was meant to be told, before Disney sugar-coated it. The slew of modern-day fairytale remakes being churned out by Hollywood should take a page from ATOT’s book and Keena’s performance (do you hear that Kristen Stewart?!).

After a small part in 1997’s The Devil’s Advocate, Keena (now a blonde) starred in the lesser-known film Crime and Punishment in Suburbia, a film loosely based on Dostoyevsky's classic novel. It wasn’t until 2003 when Freddy vs. Jason came out that Keena became a horror icon. And she didn’t stop there.

Brad Falchuk & Ryan Murphy's American Horror Story: Thoughts on Eps 1 & 2


Oh boy. Where to begin. Well...is anyone else out there tuning in on this insanity? Did you perhaps tumble down the rabbit hole like I did? For those reading and are actually wondering just what I’m referring to, May I just add that what I am discussing will be chock full of spoilers. Furthermore, it is best to go into this show knowing little as possible – because let me tell you, it sure is one crazy ride and I do not use these words lightly. So, if you haven’t seen the show, now would be the perfect time to stop reading this and track it down. For those left reading, let’s revisit the horror.


American Horror Story’s pilot was pretty full on. I mean, it was chaotic, it was insane – it was overloaded with bewildering characters, deeply disturbing hauntings and weird, psychosexual manifestations.
It was edited in a manner that disconcerted me, using jump cuts to fry your nerves. It begins in the 70's, where twin brothers enter the desolate house and begin smashing it up with their baseball bats. What nerve! Well, obviously the spirits of the house think the same because soon, they're brutally murdered.

Cut to the present day and after some troubling times - Wife Vivian suffering a miscarriage and Husband Ben having an affair, The Harmon family decide that a change of scenery just might be the spark back in their lives they need. Oh boy, were they right. It's just more of a demonic, possibly satanic spark and not of the romantic kind.

There was a wealth of information to absorb, from the ghost (demon?) in the S & M costume to the family’s maid that appears elderly to the wife and young and super cute to the seemingly sex deprived husband, from the loopy, vaguely menacing neighbour to the relationship between Husband and Wife, Ben and Vivian - but wait, there’s more! Rebelling daughter Violet is venturing into self-infliction and befriends Ben’s latest patient, a very disturbed young man by the name of Tate, who doesn’t help with her tortured thoughts. There’s a horribly burnt man that’s been stalking Ben and who desperately tries to warn him to get out of the house quick smart.

Murphy and Falchuk were throwing a lot of story at me and come the end of it, I blurted out – WHAT? It was a fantastically twisted, psychological ride but as of writing this, I’m a little unsure of its longevity as a series. I just hope there is a three-year game plan or something, with the house’s history charted out and where the series will eventually run.

31 Days Of Horror For October - Day 18: The Changeling (1980)

This week my luck has been terrible with 31 days; I have had to replace films I had on the list because for one reason or another I wasn’t able to watch them. This has been a blessing in disguise because my replacements have been fantastic. The Changeling is a film I have wanted to watch and I finally had the chance now. This is one of the truly scary and creepy films out there, forget Paranormal Activity, this is where it is at.

The story about a haunted house isn’t new, but this was a fresh take on it. George C. Scott is fantastic and he really sells every aspect, you will believe this house is haunted. The scares work, the atmosphere is great, I really loved this film. Highly recommended, seek this out.

4/5

31 Days Of Horror For October - Day 17: Graveyard Shift (1990)

Spur of the moment change to the 31 Days line up (due to unforseen circumstances) and I decided to grab this little Stephen King number. This is one of the few adaptations I haven’t seen, and a couple of friends of mine like to go on and on about it. I had no idea what this was about or what to expect. You know what? I had a blast!

This number is based on a Stephen King short story, and you can tell. Something like this is more suited to say Tales From The Crypt or Masters Of Horror, but screenwriter John Esposito and director Ralph Singleton kept it short and managed to lay on enough meat to make it work. This is how you expand upon a short story successfully and keeping it the right length to avoid it getting drawn out.

This is from Stephen King so where else do you think it is set? Yes in Maine, in a textile mill where the workers are falling victim to a monster. Do you need to know anything else? Of course not! Monster attacking people, with rats investing everywhere, it does spell out good time. And in King fashion the monster is as much of a danger as are the people around. The film builds up both of those elements satisfactory and then it has a great wind up conclusion.

You have a solid main character with John Hall, a really good portrayal by David Andrews who just oozed charisma. You have the exterminator played by Brad Dourif, that has win all over it. Then lets see, the a-hole foreman Warwick played by Stephen Macht, and the rest of the workers follow suit. The cast while a small one all delivered their shizzle to perfection. I actually really enjoyed them all, especially Dourif who stole the show whenever he was on. Hall was great during the lonesome scenes, with the rats coming in, as well as taking all the abuse from everyone. In another world he would have gone full John Rambo on their asses.

My Top 10 Favorite Things to Watch on Halloween

1. Hocus Pocus (1993): The ultimate Halloween movie. I enjoy it just as much now as I did as a kid. There are few movies I would describe as flawless, but this is one of them. PG enough so kids can watch it, but still scary enough to be believable. The Sanderson sisters, while comedic, still manage to be scary enough to pose a real threat to the silly virgin and his kid sister, and the talking cat Binx is the best part of the movie. If you haven’t seen this movie yet stop reading now and go watch it.

2. Trick 'r Treat (2007): This is a seriously underrated movie. From the minute it begins to the minute it end, TrT delivers a fantastic Halloween experience. The setting is immaculate, reminiscent of our childhood October 31sts with undertones of something more sinister. I love when movies tell separate tales that interweave, and TrT does so in the best fashion.

3. Halloween (1978): This inclusion on the list hardly needs to be explained. John Carpenter set the horror bar high with this slasher classic. The subtlety, the score, the silent way Michael stalks his prey. Just mentioning this film brings giddiness to any horror fan. I could go on and on, but the movie’s reputation speaks for itself.

31 Days Of Horror For October - Day 15: Pieces (1982)

After watching the documentary Going To Pieces: The Rise And Fall Of The Slasher Film, it introduced me to all sorts of films I hadn’t seen. One of those was the original My Bloody Valentine, which I already watched this month for 31 Days. Another film I saw mentioned on there was the early 80’s exploitation film Pieces. I thought this looked like a sick puppy, and people like Eli Roth raved about it being a great film. This was another case of a film that I didn’t quite get to last year, so was it worth the wait?

Pieces is a pretty typical exploitation/grindhouse type of film, I think what elevates it above others is the kills. It really is mean spirited and it does not hold back, you want blood? This delivers, if you felt ripped off by the lack of chainsaw massacring from Tobe Hooper’s film, well this will give you your fix. In that respect the film worked perfectly, the blood and kill scenes were handled pretty well for such a cheap budget. You’d hope with a title like Pieces, you get well ‘pieces’ and you do.

The film starts off in 1942 with a kid doing a puzzle, but its of a naked lady. His warped mother catches him and cracks it. So the kid does what any normal person would do when their naked lady puzzle gets taken away from them, he kills her with an axe. To top things off he cuts her up into … PIECES! We then fast forward forty years to what eventually leads to a college campus (zing!) and murders by chainsaw start happening. Who could it be? Well it is rather obvious, and the red herring they keep throwing in is kind of funny.

Yes Pieces goes for all the typical elements, college campus, obvious red herrings, but that opening scene is quite brutal and a great way to draw in the audience. Things get a bit sillier once we get to campus; I mean after the opening scene we see a girl in an event so out of context you just feel like face palming. However after that scene we get to a killing, and then introduced to the cast of characters. If you can’t figure out who it is, you might need to work on those detective skills. The red herrings are far too obvious to be the killer; one in particular is pretty hilarious in the way it was handled. The attempts to make the killer mysterious and attempt at doing a bit of giallo wasn’t bad, but the bright yellow chainsaw that was obvious (you can’t hide that), you’d think someone would notice it right?

31 Days Of Horror For October - Day 14: Saturday The 14th (1981)

I don’t even know where to start with this one … Saturday The 14th is campy with a side of cheese. The film is a riot from start to end, it is hooky and silly but a damn good time.

Take elements from The Monster Squad and all the awfully goodness from Troll 2 mix them together and this is what you get. Now it is older than those (unfortunately it really shows its age) but I couldn’t help but draw comparisons to them.

The basic premise is that there is an old house and vampires want to get in to retrieve a book. However a family have inherited the house and that makes things difficult for the vampires. The youngest of the family finds the book and unleashes the creatures from within. The parents remain clueless about the events, until they have to get help to restore some normalcy.

31 Days Of Horror For October - Day 13: The Bird With The Crystal Plumage (1970)

As a young and influential teenager I was eager to find new (to me) and exciting films to watch, and as it so happened I stumbled across Suspiria. It might have been my father who prompted me to find it, but I do remember we sat down together to watch it. Dad spoke of an expert Italian director Dario Argento, who made interesting films called a ‘giallo’.

This was my first experience with Argento and a good introduction to the Italian ‘giallo’. It wasn’t until recently that The Bird With The Crystal Plumage came onto my radar; with Argento all I kept hearing about were the likes of Deep Red and Tenebre. I thought his first solo directorial debut would be a great addition to the 31 days line up, lets explore.

The Bird With The Crystal Plumage takes place in Italy, where a writer Sam (Tony Musante) witnesses an assault on a woman (Eva Renzi) that nearly kills her. He is quickly taken off the suspects list by Inspector Morosini (Enrico Maria Salerno) and helps with the investigation. It comes to light that there were similar attacks and the women weren’t so lucky. But as he gets closer to the truth, the killer begins to stalk him and his friend Julia (Suzy Kendall). Will Sam find out the truth in time?

The ‘giallo’ subgenre is an Italian horror/mystery/thriller; you can tell you are watching one by the trademarks used. I wont get into detail here, I am sure you either know or can google it, hint Hitchcock would be the British equivalent. Argento has been called the maestro of the genre along with other directors like Mario Bava, Umberto Lenzi, Lucio Fulci and Sergio Martino just to name a few.

It is not difficult to see why he gained this reputation, and this film is a fantastic start. I am not sure what has happened to man as of late but going back 40 years and he was a genius. The story is a simple one, but it unwinds in such a way that it grabs the audience and we want to solve this mystery as much as the main character. The POV shots with the killer are handled expertly; they don’t skip a beat and raise suspense in the right way. The film is filled with colour and amazing locations, it becomes a character of its own.

Why Nancy Thompson is the Ultimate Horror Heroine

There are plenty of strong, likeable young “final girls” in the horror genre. But my favorite, and in my opinion the BEST, horror heroine is Nancy Thompson (played by Heather Langenkamp) from the Nightmare on Elm Street series.

Nancy is a girl-next-door without any secret devastating past that so many horror films feel the need to attach to their main characters nowadays. She’s just an average girl who steps up to the plate when she needs to.

Freddy is an immensely terrifying villain who kills off her best friends and boyfriend. But instead of running and hiding behind her father, she takes things into her own hands. The booby-trap scenes bring such a “get him girl!” reaction from me every time I watch the original A Nightmare on Elm Street. Nancy doesn’t survive ANOES by luck. She uses her intelligence and stays calm to come out on top.

If ANOES ’84 was Nancy’s only movie, she would still be my favorite horror heroine. However, her repertoire only gets better. In ANOES 3: Dream Warriors, Nancy comes back to save the lives of more innocent children that Freddy has targeted. Despite the horrors of her past (now this backstory makes sense), she shows no fear when once again up against Freddy. Even though Nancy doesn’t survive her second installment in the series, her death does the character justice.

While New Nightmare features Heather Langenkamp playing herself, she still embodies the element of Nancy. When Freddy strikes yet again, she’s up and ready to fight from the get-go. If anyone ever doubted why Heather was cast as Nancy, New Nightmare will change their minds.

31 Days Of Horror For October - Day 12: Psycho 2 (1983)

By all accounts a sequel to one of the most famous and loved horror films Hitchcock’s Psycho should not even be thought about or even made. But back in the early 80’s they did make and it is perhaps one of the best sequels I have seen for a film like this.

With Hitchcock’s protégé Richard Franklin (Patrick) at the helm and a script by Tom Holland (Child’s Play, Fright Night) with the man himself Anthony Perkins back as Norman Bates, they had the recipe for success. The film begins by recapping the first, and then we find that due to over crowding Norman is being released from the hospital and back into society. He is to take up residence at his house and work at a diner as a kitchen hand. But Lila Loomis (Lila Crane from the original) has other ideas; she wants to get him locked back up. Norman moves back and starts his job, befriending Mary (Meg Tilly) she moves into his house. But strange things start to happen and Norman fears the worst, but is it him who is going crazy?

The film starts off with the only way it can, Norman’s release and his reintegration into the only life he has known. He is a changed man and there is something deeply sympathetic about him. To see him begin to question his sanity is somewhat heartbreaking to watch, and his friendship with Mary is quite a sight to see. The mystery that surrounds the events is well played, and the film tries to keep the audience guessing without running itself into a bad plot holes. There is a real feel of Hitchcock’s style but it really is its own films and it stands firmly on two feet. The performances are fantastic and Anthony Perkin’s completely steals the show. This is a sequel worth watching, not as good as the original but highly enjoyable.

31 Days Of Horror For October - Day 11: Sisters (1973)

Brian De Palma is a director who seems to have lost his way with the more recent films of his. But to go back and see the beginnings of such a greatness is the quite the experience. Sisters is one of his earlier works, a Hitchcockian style horror/thriller and easily one of the best films I have seen from him. Watching the film now, I can feel the influences it has had, not sure how this missed my radar until now but I sure am glad I found it.

Margot Kidder stars as Danielle, a young and beautiful woman who lives in a Staten Island apartment and works as a model/actress. After an appearance on a TV show called Peeping Tom, she goes on a date with someone else who appeared on the show. They are followed by a man who she says is her ex-husband, and then head back to her apartment. It becomes clear they are not alone, and Danielle says that her twin sister is staying with her for their birthday. The apartment soon becomes the scene of a murder, witnessed by neighbour Grace. The police don’t find anything and Grace (a reporter) is determined to get to the bottom of whatever is going on.

A bit of a long synopsis but that does not really even scratch the surface, as Sisters had a lot going on and I sure don’t want to spoil anything for those who have not had the pleasure of seeing the film yet. I mentioned that this was Hitchcockian style, I wasn’t lying, the film is part Psycho, part Rear Window but with that De Palma flair that made him stand out as a filmmaker. Much like in Psycho, the film features a death by stabbing and the feel of the film changes. The main character becomes a side one as we’re then taken into Grace’s world and go with her on the investigation. There is a huge element of voyeurism here as well, and it was very reminiscent of how Hitchcock played it in Rear Window.

I absolutely loved the performances here, with Margot Kidder for me stealing the show. I am mostly familiar with her stuff post Superman, and this was a great surprise. She was fabulous, carrying the film wonderfully from the beginning and then become a source of mystery through out. Her dual performance as the sisters was stunning, she really became two different people with striking changing’s in personality. If you have ever doubted her ability as an actress or wonder she scored the role of Lois Lane this should fix that. Jennifer Salt was also great as Grace; once the film began to focus on her she also carried it nicely. Her sense of determination to solve this mystery was well portrayed. The two women played off each other nicely, and really it was a great combo. Bill Finley was quite creepy as the ex husband, he certainly gave me the creeps. Charles Durning was quite good, as were Lisle Wilson, Mary Davenport, Barnard Hughes and Dolph Sweet.

31 Days Of Horror For October - Day 10: Paperhouse (1988)

With Day 10 brings a very different type of horror film, one that perhaps has more in common with Alice In Wonderland than A Nightmare On Elm Street.

Paperhouse is a British film from the late 80’s, from Candyman director Bernard Rose. It tells the story of young Anna, a loner who becomes strangely ill. As she falls sick, she draws a picture of a house, which turns up in her dreams. Anna adds to the picture, including a sick boy that her Doctor told her about. But the dreams start to change into nightmares as she becomes more ill.

Yes this is a strange one, but an absolutely excellent film. I want to say this is more of a kid’s film, but it really doesn’t feel like it. This is along the lines of something for young adults, a really mature and intelligence piece though. The performances are all fantastic, the fantasy elements and dreams are outstanding. Everything at play here worked so well, and the meanings behind it are well thought out too.

VLOG: 31 Days Of Horror for October 2011 (Days 6 thru 10)

My VLOG which covers the last 5 days of first time horror watches for 31 Days Of Horror.

31 Days Of Horror For October - Day 9: Society (1989)

Brian Yuzna, a name I am very familiar with. You see Re-Animator is my all time favourite horror film, and Yuzna served as producer and he then went on to direct the two sequels. I have seen a lot of his other films, but one that really flew under the radar was Society.

A friend had brought it to my attention and I looked it up and was surprised to find it was Yuzna’s directorial debut. But the more I read and saw from it, the more I was hesitant to watch it, I thought it perhaps it was too disgusting for me sit through. Crazy for me to say because I can sit through anything; but I built all this up in my head. I then made the decision to grow a pair and watch it for my 31 days, no backing out if it was on the list.

The film is about a teenager called Bill, he feels like an outcast, unable to relate to his parents or sister. They are ‘upper class’ and don’t mingle with anyone else, and Bill is not at all like that. He begins to have strange nightmares and starts to suspect there might be something going on. Those around him try to say it is all paranoia, but eventually Bill finds out there is much more going on behind closed door than he could have imagined.

Society really works as a social satire on the rich, and what it has to say isn’t very nice or flattering. There is a line in the film ‘the rich have always sucked off low class shit like you’ and that basically sums it all up in a nutshell. It definitely aims to say that the rich can act and do whatever they like, while basically eating up the poor with no regard. It is a harsh message and it feels very mean towards its target but you can understand where it is coming from.

RIP David Hess (1942-2011)

I woke up this morning to the news that David Hess had passed away at the age of 69. Not something I wanted to wake up to, and I looked down at the posting I saw and I just did not believe it. It took awhile to set in, he has been one of my absolute favourite genre actors.

My sympathies go out to his family and friends.

RIP good man, you'll be missed.

Getting Into the Halloween Spirit With Hitchcock's 'The Birds'

The Birds

I can't believe that it's actually time for Halloween again! Halloween marks the beginning of what is pretty much my favorite time of year, so it's probably safe to say that I've been looking forward to it for a while. That God-awful, hot summer weather I hate is pretty much officially over with by now. All those yummy holiday foods and candies -- along with fresh excuses to actually eat them -- are popping up everywhere. (No, you ate candy corns for breakfast!!) Plus, it's pretty much all horror all the time right now. Like all horror fans, I'm always down for a reason to rewatch my favorite scary or suspenseful films!

I know a lot of people consider the films of Alfred Hitchcock to be more mystery or suspense films than actual horror films, but I personally tend to think of them in the same light as a lot of horror genre staples regardless. I'm a huge fan of his myself. I also adore all the same Hitchcock pieces everyone else likes -- Psycho, Vertigo, and Rear Window especially. However, I don't feel like The Birds gets as much love as I think it deserves. I also don't think it gets enough credit for actually being a scary movie.

Maybe this just makes me a giant wuss, but I'm actually scared of the damn birds in that. I've talked about this in regards to zombies and some other things before, but what really makes the difference between "kind of chilly" and "scary" for me is whether or not I can find it within myself to actually believe in the reasons behind what I'm being sold by the filmmakers. For whatever reason, the bird invasion in this is believable to me.

I grew up by the ocean around seagulls and such. I've had those crafty little jerks go in my backpack and try to steal food when I'm not looking. I've seen one peck the ever-loving crap out of a little boy because it decided it wanted his corn dog. A starling snatched the hamburger patty out of my boss's McDonald's once before he could even get his ketchup package open and it totally timed it first, which I thought was really weird. I've even seen species that aren't considered to be total plagues by the general population (like finches or sparrows) mob the daylights out of crows and owls. (For those of you who don't know what "mobbing" is, that's when birds band together and try to snuff other birds pretty much just for being in the wrong place at the wrong time.)

Birds are jerks... and sometimes I'm not sure they're as dumb as we give them credit for. (That's just what they want you to think!!) So all the birds in the world deciding to put their beaks together and quit putting up with us humans once and for all? I can see it... and it's actually pretty scary to me. Well played, Mr. Hitchcock. Well played.

31 Days Of Horror For October - Day 8: Dr Jekyll And Sister Hyde (1971)

So Day 8 brings my to a Hammer Horror film, one that came from a recommendation from my friend Adam. I am fairly amateurish when it comes to Hammer; I haven’t seen many of their classic titles. I was interested in this film because it seemed like a very different take on the classic Jekyll and Hyde story.

What sets this part is the Dr Jekyll’s evil side is a woman, in the form of Mrs Hyde. Set in the classic era on London, around the events of Burke and Hare grave robbing and a Ripper roaming the streets, the film really had some awesome atmosphere. The sets and costume were fantastic, and felt very much like the time it was set.

The central story of Jekyll turning into a woman, who represents his dark side, the evil part of his personality was interesting. The whole battle of the sexes element is strong here, and one could argue that women do not come off very well. But as Hyde is evil you have the love interest Susan who represents all that is pure. An interesting off set, and made all the more captivating with the excellent performances by the actors.

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