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‘Annabelle’ (2014) Film Review

Annabelle PosterReviewed by Jesse Miller

‘Annabelle’ (2014) Film Review

Before The Conjuring there was ANNABELLE, the story of how this rather evil looking doll came to be possessed and its journey from original owners to the display box seen at the Warrens in The Conjuring.

Yup, the creepy doll - that anyone in their right mind shouldn’t even buy before it was possessed – gets it’s full length film in this shared film universe that got kick started with the successful sequel The Conjuring.

Directed by John R. Leonetti and written by Gary Dauberman, ANNABELLE starts with happy couple Mia (Annabelle Wallis) and John (Ward Horton) suffering a home invasion by two cultists. The cops manage to arrive on the scene in time to secure the household, but not before one cultist works her mojo on the nearest object – the already creepy doll. Weirdness and terror ensues.

Look, there’s not much here in Annabelle that we haven’t already seen in other demonic possession movies, not to mention done better, and more often than not, the film borrows from the worst of the worst and goes for the obvious jump scare but it’s never disastrously bad. I mean, it’s actually pretty watchable and far from the worst I have seen.

The leads do their absolute best with the material and they do it all with a straight face – better yet, it’s probably one of the best on screen-married couples in horror I’ve seen in a while. I mean, usually the guy’s a dick and the marriage goes to hell but these guys are just too sweet and I actually enjoyed watching them work together through this – even if the horror movie logic leads them to make a few stupid decisions here or there.

'Piranha Sharks' Film Review

Piranha Sharks PosterBy Robert J. Thompson II

What do you get when you cross bio-engineering, strippers, deadly fish, gold-flake cinnamon drank, and lovable losers? You get awesome, is what you get. This particular serving of awesome is called 'Piranha Sharks', and it comes to you from the mind of one Leigh Scott. Sigh. Yes, 'Transmorphers' Leigh Scott. No, this is not 'Transmorphers'. Relax.

Piranha Sharks are bio-engineered creatures, that are repackaged, and targeted towards kids, as the year's hot new Christmas item. However, when the animals make their way into the New York water system, it falls on Jackson (Collin Galyean), and his pest-killing buddies (John Wells, and Josh Hammond) to get rid of them, before they destroy the city.

The writing works first, to set this film apart. It takes a shot at many of the cheesy indie cliches, with hilarious class, and accuracy. The movie is laugh out loud funny, during several scenes. John Wells, Frederic Doss, and Kevin Sorbo steal the film, comedically. The acting, in general, is phenomenal, and I enjoyed just about every part, including bit part appearances from the likes of Jose Canseco, and Gina Marie Zimmerman. I really enjoyed Amy Blackman (Dominique), and Ashe Parker (Ellen), too.

The movie isn't without it's brow-raising moments. The CGI, in particular, is rough, at times. But then, you have to understand that this is part of the appeal. Then there's Jackson's son, Lawrence, who is played well by Jon-Christian Costable – but that Bieber haircut, man. Am I reaching for issues with the film? When I use a child's haircut as a negative about a film? Probably. But it's just so darn fun, that it's hard to pick out specific issues. The overall construction of the film is great, for indie fare. The performances, writing, shots, etc, all great. The things people are going to find fault in, were almost all intentionally done.

'See No Evil 2' Film Review

See No Evil 2 CoverReviewed by Robert J. Thompson II

Possible spoilers ahead. *Seriously, don't read, if you haven't seen the movie*

When I first heard about Jen and Sylvia Soska (re: Soska Twins/The Soskas), I admit I had never seen their work. I had zero idea about who they were, or how they had come to Indie Horror prominence, yet once I started hearing their names, it became almost a daily occurrence.

Something about this concerned me, though, because the first thing I heard about them was, “Have you seen 'American Mary'? They're awesome for female Directors! Their stuff can lean a bit extreme feminist at times, but, they're not bad, at all!” – and that didn't quite sit well, with me. The way their work was described was almost 'man-hating', and for obvious reasons, I found myself hesitant to seek out their work.

Then I heard that Katherine Isabelle was their lead in 'American Mary' (Review), and I have to check out anything with Ms. Isabelle in it. After that viewing, I became a fan, immediately. I also realized that some people have no idea what they're talking about, and The Soskas' work is far from 'man-hating'. Shortly after, I heard that a sequel to 'See No Evil' (a very underrated slasher, in my opinion) was in the works, and The Soskas were attached to Direct, with WWE's Kane (Glenn Jacobs), set to return as Jacob Goodnight. Cue Daniel Bryan 'YES!' chant at my computer desk, that night. Don't judge me, monkey.

The great news setting up See No Evil 2 kept rolling in from there. Katharine Isabelle was lined up for a part. Danielle Harris was cast as the lead. Then I got bummed. The first 'See No Evil' got a theatrical release. 'See No Evil 2' would not. You mean the three of us out there, holding out hope for a sequel all these years, couldn't go to a theater, and enjoy this flick?!? That's alright, though, because at least it would get a Blu-Ray release. And I'm a man who enjoys midnight strolls to Walmart, to pick up new movies. So naturally, I was there, at midnight. Six boxes of movies were stacked at the end of the aisle, and I knew the movie was in there somewhere. After asking permission (always ask permission before opening these boxes, people), the sales associate gave his blessing, and I shredded through them. My heart sinking with every box, as I saw no Jacob Goodnight. Then, at the bottom of the VERY LAST BOX – there he was.

MANIA, Desolation, and Kill the PA wrap filming, NSFW stills released for MANIA

MANIA - Jessica Cameron rainby Seth Metoyer

Director Jessica Cameron is bringing the blood, sexiness and thrills yet again with her second film MANIA. Shooting on the film (as well as Desolation and Kill the PA) has wrapped and you can find all the details and some NSFW stills from MANIA under the official details below.

MANIA stars leading lady Ellie Church (Indie Director, The Girl Who Played with the Dead, And Then YOU Die!) and Tristan Risk (American Mary, House of Manson, Call Girl).

From The Press Release:
The triple feature, cross-country road movie extravaganza has completed principal photography. Producer Mem Ferda and executive producers Jessica Cameron and Jonathan Scott Higgins announced that all three projects (feature films MANIA and Desolation, along with documentary Kill the PA) are in post production. The producers were kind enough to pass along some unreleased stills from the set of MANIA.

MANIA marks the 2nd feature to be directed by Scream Queen Jessica Cameron from a script written by Jonathan Scott Higgins. Desolation was the first film to be completed while traveling cross-country and Kill the PA is the behind the scenes documentary that chronicled the making of both horror features. The passionate group of independent filmmakers all piled into an RV and shot all three features while traveling to California, Nesw Mexico, Texas, Kansas, Tennessee, Ohio, Alabama, and Arizona.

Some of the filming locations the cast and crew utilized were houses, abandoned towns, shady motels in the middle of nowhere, and the beautiful desert landscape of Arizona. In fact, while filming a death scene in the Arizona desert, FOUR cop cars showed up claiming that they received a call the team was shooting pornography. When director/executive producer Cameron explained it was a horror film, the Tucson Sheriffs became disappointed and quickly left.

Club Lingerie (2014) review

Club LingerieReviewd by Jonathan Weichsel

I have been following the career of exploitation filmmaker Jared Masters for quite awhile now, and he seems to be on a real roll, because earlier this year I wrote that Deadly Punkettes was his best film to date, but just over six months later I have to revise that statement. Club Lingerie is Jared Masters' best film.

Jared Masters is a filmmaker whose work is inspired by the nudie cutie movies of the late sixties and early seventies, and most heavily inspired by the work of Doris Wishman. The Director once told me that Wishman's film Nude on the Moon is the movie that first made him want to become a filmmaker.

What makes Masters' films stand out from the glut of exploitation themed cinema we are currently experiencing is a deep love for the genre, knowledge of its history, and a respect for its legacy that is apparent in all his work. Where other filmmakers make movies that have elements in them that are superficially inspired by Grindhouse, with digital aftereffects that make the video look like a scratched film print as a clichéd example, Masters makes films that really capture the feel, the fun, the humor, and the liberated atmosphere of the exploitation films of yesteryear.

Club Lingerie goes a little further than Masters more recent movies in mining the old nudie cutie movies for inspiration. The film is a synthesis of everything I like about Masters' movies, with nothing extraneous or modern getting in the way. At times the film has a wild, side show atmosphere to it, it is always sexy, and often very funny.

There are sly bits of humor in the film that still have me chuckling a day after having watched it, like the frumpy detective who uses antiquated technology such as a tape recorder and delivers all his dialogue in a monotone. The last twenty minutes features two of Masters' funniest and strangest scenes, a bizarre conversation between a transvestite and a puppet, and an absolutely amazing strip tease in which a woman auctions off all her clothes to a live audience in order to make her abusive ex-boyfriend jealous.

A Grim Becoming (2014) review

A Grim Becoming PosterReviewed by Jonathan Weichsel

A Grim Becoming, a strange little horror comedy directed by Adam R. Steigert, has five credited writers on IMDB, something which every film critic knows is almost always a bad sign, however the strongest thing about A Grim Becoming is its freewheeling script.

In terms of tone, the closest thing A Grim Becoming could be compared to is Peter Jackson's Dead Alive. Like that classic horror film, A Grim Becoming features a plot that goes off on random tangents that have little to do with the main story, characters behaving in ways that don't make logical sense, jarring tonal shifts, and situations that aren't the least bit plausible.

I realize that all this may make A Grim Becoming sound like a bad movie, but the pleasure of watching something like Dead Alive or A Grim Becoming comes from the weird, anarchic energy of an ambitious film that doesn't really care whether or not it makes sense.

The script for A Grim Becoming is clever, outrageous, and over the top. However, A Grim Becoming is also an example of a movie where the script is much better than the finished film. With a running time of an hour and fifty-five minutes, the film is way too long to really be effective as camp horror or comedy, and there is hardly a scene in A Grim Becoming that couldn't have been improved by being trimmed by a good editor. It is one thing for a film to be freewheeling and all over the place, it is another thing for a film to drag. These aren't problems that can't be fixed however, and I am not sure if what I watched was a rough cut or a completed film. With better editing that trims away the fat, A Grim Becoming could become a really great film.

The Pit (1981) review

The Pit 1981Reviewed by Kevin Scott

The Pit (1981)
Written by: Ian A. Stuart
Directed by: Lew Lehman
Cast: Sammy Snyders (Jamie), Jeannie Elias (Sandy O’Reilly), Sonja Smits (Mrs. Lynde), Laura Hollingsworth (Marg Livingstone), Laura Press (Mrs. Benjamin), Paul Grisham (Freddy), Wendy Schmidt (Christina), Andrea Swartz (Abergail), Richard Alden (Mr. Benjamin), Patrick Patterson (Butcher), Harris Kal (Trog), Alison McCuaig (Trog), Paul Martin (Trog), Tom Martin (Trog)

Every now and then, you may watch a film, old or new that rests magnificently on its own plane of unintentional weirdness. I think that adequately describes “The Pit” from 1981. It’s an evil muppet movie with the muppets being voracious carnivores, and the kid that interacts with them being a complete and total weirdo pervy creep. That being said, it’s one of the best films I’ve seen lately that flew a stealth mission through my horror radar as a kid. I wish I could have seen this then, it would have haunted me for years thereafter.

Jamie is the central part of the story. He’s a lonely kid that can’t seem to catch a break. He’s hated and picked on by everyone. His only friend is a teddy bear that speaks to him in a strange variation of his own voice, and his only hobby is feeding some strange creatures in a pit in the woods. His parents mean well in their own way, but really don’t know what Jamie’s eccentricities are really all about. To help him out, they get him an attractive nanny named Jeannie that genuinely wants to help him overcome his social inadequacies. Sounds like a good idea, but being that Jamie is one raging hormone, it’s only inevitable that Jeannie will eventually be skeezed out by him herself.

Vacancy (2007) review

Vacancy PosterReviewed By Chris Wright

Vacancy (2007)
Directed By: Nimród Antal
Written By: Mark L. Smith

Starring: Kate Beckinsale (Amy Fox), Luke Wilson (David Fox), Frank Whaley (Mason), Ethan Embry (Mechanic), Scott G. Anderson (Killer), Mark Casella (Truck Driver), David Doty (Highway Patrol)

“Vacancy” is a commendable effort to restore thrills and tension in modern horror, which is something lost in films of this genre now. It takes on a modern take of “Psycho” with a lone motel scenario with fewer characters. It manages to merge themes from the exploitation sub genre to fit with a modern audience. “Vacancy” is a refreshing horror film that avoids heavy gore as the selling point.

A married couple, whose relationship is on the fritz, car breaks down near a small isolated motel in hopes to stay overnight until they get their car fixed the next day. Unfortunately, what was seemingly a harmless visit turns south quickly as the couple finds out the true purpose of this deserted motel. I have to admit that I thought this was going to be a huge cliché of a horror film at first. Thankfully, the clichés are minimal and added elements I never saw it going as the movie progressed.

Kate Becksinsale (Amy) and Luke Wilson (David) deliver solid performances. I loved that this deviated from the younger “sexier” leads and aimed to be more mature in nature. Without their stellar acting, this movie would have fallen flat in many areas. The couple’s marital problems make the film more realistic though I can say some of it was done in the beginning of the film as filler.

The moodiness and the atmosphere are top notch. If the atmosphere had fallen flat with literally no gore, this movie would have wound up being a boring film. I am for the underdog movies and thankfully this film did not bore me at all. I was on the edge of my seat midway through to the end.

Weirdest movie of the year, Club Lingerie, now available on Amazon

Club Lingerieby Gerald Beanery

Jared Master's strange murder-mystery comedy Club Lingerie has released just in time for Christmas. Check out all the details below.

From The Press Release
Just in time for Christmas! The bold, daring and shocking murder-mystery comedy Club Lingerie starring cult film Goddess Bouvier (Surgikill) is now available to ship right to your very door! The perfect stocking stuffer (if your stockings dangle wide and strong)! This is not a motion picture for the shallow cinematic heart. You will laugh, you will gasp with fright, and you will be awestruck by a cast that dare to defy the laws of modern cinema, in all it’s wildly curious spender! See why this movie had to be made! The story of cougar who courageously pioneers the financial turnaround of her grandfather’s beloved nightclub! See gorgeous models die in the negligees before your very eyes, in the most unusual ways! See shoe-bombs going off, and blow-darts lodged into your very favorite girl!

Film critic Mike Haberfelner says “Club Lingerie is not just a murder mystery, first and foremost it's a great deal of fun featuring quite a few very lovely girls wearing very little … a fun comedy interludes by quite a few fan faves like Dawna Lee Heising and Richie Lillard as a perverted couple, Domiziano Arcangeli as the jealous boyfriend of one of the models, Maria Olsen as a cookie flower girl, and a homicidal dominatrix - who doesn't have anything to do with the rest of the film but is fun all the same.

Lord of Tears (2013) Review

Lord of TearsReviewed by Jesse Miller

LORD OF TEARS is the psychological horror film debut by Scottish director Lawrie Brewster that blends a touch of Lovecraft with a sprinkling of Poe and the resulting brew proves to be a startling look at the disturbing Scottish urban legend.

The death of his mother sees James (Euan Douglass) inherit a spooky ancient house surrounded by the Scottish moors. Disturbed by his mother’s last words, a warning for him to never return there due to a childhood trauma, and plagued by some rather unsettling nightmares featuring the disturbing entity known as the OWL MAN, James delves into the brutal and shocking past that hides a twisted history.

Lord of Tears is unique for the fact that it goes for something new that audiences haven’t encountered before and it all works to tell an engaging story around it. Remember the first time you saw, say, a Japanese horror film and were taken back by its refreshing approach to horror? Well, Lord of Tears is just as refreshing, disturbing and original.

It is a film that rarely lets up – it is messing with your mind with its story, dream sequences, camera angles and its core mystery until your movie sassiness is disarmed and you are left feeling disoriented. Lord of Tears will get under your skin, I can guarantee you that much.

I only have a few gripes with this piece: For a film that manages to stay refreshing and original for the most part, it’s a little unfortunate to see the writing give in to some of the silly horror film world way of thinking that doesn’t make sense.

The sound mix here is often muddling, as dream sequences and dialogue can be difficult to hear as it is drowned out by the musical score or other effects that don’t really need that much reverberation to be haunting or effective.

‘Grave Halloween’ (2013) Film Review

Grave HalloweenReviewed by Jesse Miller

GRAVE HALLOWEEN is mostly set in Japan’s infamous ‘Suicide Forest’, the nickname given to this rather luscious forest since unfortunately, so many folk come here to end their lives.

Because of the multiple suicides, the forest has its own special place in Japanese mythology due to the belief demons and angry spirits roam the forest. As if Japanese folklore wasn’t horrific enough, right?

The place is intriguing and uncomfortable all at once. Intriguing because – well, why aren’t we seeing more material featuring this location? The 1960 novel Kuroi Jukai (Black sea of trees) features the location and Director Gus Van Sant’s Sea of Trees is on its way out. But where are the horror films using this backdrop? Shouldn’t we be seeing hundreds? And then it’s uncomfortable material because the place is still being used for suicide and how does one work around that while being respectful to the place and at the same time crafting a piece of entertainment.

Well, that’s why GRAVE HALLOWEEN intrigues me – the piece is about a film crew visiting the forest to do a documentary on one woman’s journey to give the soul of her mother some peace. Had this been a drama, it would’ve been still quite effective but horror seeps into this world when one of the idiot characters decide to rob the grave of an unfortunate soul and in turn, curses the lot of them. Cue running around a forest area for 90 minutes and seeing The Grudge¬-like spectres lead this film crew astray.

From there on, the film becomes pretty silly. Characters get separated, picked off by the dead one by one – in rather flat and unengaging sequences I might add – and all the while you have this story arc of the main character Maiko (played by Kaitlyn Leeb) and how she deals with relieving the soul of her mother while being haunted by the forest’s spirits.

Maiko’s story is probably the strongest thing about this effort, which is a shame when the rest of the film is lacking some key ingredients that make up an effective horror film – a good couple of scares in mind and a strong concept for building said scare.

The Horror Show (1989) review

The Horror ShowReviewed by Kevin Scott

The Horror Show (1989)
Written by: Alan Smithee, Allyn Warner, Leslie Bohem
Directed by: James Isaac, David Blyth
Cast: Lance Henriksen (Detective Lucas McCarthy), Brion James (Max Jenke), Rita Taggart (Donna McCarthy), Dedee Pfeiffer (Bonnie McCarthy), Aron Eisenberg (Scott McCarthy), Thom Bray (Peter Campbell), Matt Clark (Dr. Tower), Terry Alexander (Casey)

Some films aren’t served very well by their titles. A name is just a name, but then again, first impressions can seal the deal. I didn’t see The Horror Show until about a week ago. My cursor has been looming over it in my Netfix queue for quite some time. The title is so ambiguous, that it could be anything. The key word is anything, and I will see anything with Lance Henriksen in it. He’s become the stuff of legends. He’s one of the few character actors that have transcended anonymity into bona fide celebrity territory. It couldn’t have happened to a nicer guy, and I’ve liked him ever since his first turns as one of Cameron’s ensemble players, his roles as the bad guys in 90’s action films, and whatever he pops up in now. He’s a good actor, and just as at home in something just for fun, or something unsettling and terrifying.

The poster art included with this review gives a little more info that the poster art I saw. Obviously, it has something to do with an electric chair. “Meat Cleaver Max” Jenke is the vilest of the vile serial killers. He’s about to meet his Maker with absolutely no remorse for what he’s done to his victims. Looking on is the guy who caught him, Lucas McCarthy. He’s a hard boiled cop that just wants this nightmare to be over. Catching Jenke nearly took the wind out of his sails, and he’s struggling to cope. Jenke swears vengeance on McCarthy just before the switch is pulled. After Jenke is history, Lucas settles in to devote some time to his wife, daughter, and son. His serenity is short lived when he begins to have visions of Jenke back from the grave. He begins to think that he’s going crazy until he’s visited by Peter Campbell, a guy who’s been studying Jenke.

Creeper (2012) movie review

CREEPER MovieBy Jonathan Weichsel

As a horror reviewer I come across trailers for neo-Grindhouse and exploitation movies all the time that promise to be shocking, or sexy, or depraved, and inevitably when I sit down to watch one of these movies for review it ends up being some lame shot on video piece of shit with in-camera sound and no score, featuring jokes ripped off from South Park, zero story structure, and if there are naked women, they are women that you do not under any circumstances want to see naked. I usually watch about ten minutes of such a film and then don't bother to write a review.

Creeper (Written and Directed by Matthew Gunnoe, starring Darryl Baldwin, Monica Chambers, Rohnja Morrow) might not be a masterpiece of horror cinema, but it is a horror/exploitation film that is better made than most, and delivers where other films in the neo-Grindhouse genre fall short. I Spit on Your Grave isn't a masterpiece of horror cinema either, but it is an effective shocker, and if it weren't for the tablet computers and other modern technology, Creeper would feel right at home playing as a double feature with this film on 42nd street in the late 1970's.

Most of the new wave of exploitation films look like they were made by a bunch of stoned high school students after school and on the weekends. This is not what I want when I watch underground cinema. I have written this before, but it's worth saying again, I want to watch underground films that look like they were actually made by crazy people, films that actually appear to have come from the underground.

Creeper feels like a movie that was written and directed by someone who really, really, really hates women, like some kind of male rights activist. At times it seems like the film's sole purpose is to show how bitchy women can be, and the rest of the time its sole purpose is to punish women for being bitchy. Creeper is possibly the most misogynistic film to come out of the current era of misogynistic filmmaking, but I say that if you have a controversial point of view, and you want to make an exploitation movie expressing that point of view, then you should take your point of view as far as it can possibly go. If you don't do this, then you are not making underground cinema. Creeper therefore, is exactly the kind of underground film I want to watch.

MUCK releases new clip, prequel film to release in theatres March 2015

MUCKby Seth Metoyer

Writer/director Steve Wolsh is getting ready to MUCK you up, again.

Earlier this week an exclusive clip was released from the MUCK team through www.ScareTissue.com introducing the world to Wolsh's 'MUCK Creepers'.

According to ScareTissue, the film is currently seeking additional funding for the MUCK prequel through Kickstarter. Check out all the details below and watch the clip under the release.

From The Press Release:
We’ve been getting so many questions about our monsters/bad guys and also “What’s in the Muck???

Well, we can’t tell horror fans just yet, but we can tell you that you’ve NEVER seen anything like them before. They’re not zombies, vampires, werewolves, or ghosts. They don’t haunt your nightmares. come out of your TV, carry chainsaws, or burst out of your chest. Our “Creepers” are truly one-of-a kind, and we know you’ll love them!… in that fear-for-your-life kind of way.

In lieu of telling you exactly who or what they are, we’re going to give you a little taste in the form of an exclusive video where I introduce a never-before-seen clip from MUCK. It’s the first appearance on the world stage of the Creepers, and they get up close and personal with MUCK stars Lachlan Buchanan, Playboy Playmate of the Year 2012 Jaclyn Swedberg, and Beautiful Indian actress Puja Mohindra. Enjoy! #GetTheMuckOut

Bunny Boilers: Ten of the most evil serial killers ever

Dandy American Horror Story Serial Killer Freak Show

When we hear the phrase serial killer we may automatically think of men – but some of the most deadly murderers in history are female. We may like to play simple games based on crime, death and intrigue such as the themed slots you would find at SuperCasino, but the reality is often horrific – and sometimes comes with an XX chromosome. Here’s a top ten list of evil women in history.

1) Myra Hindley
The 'Moors Murderers', Hindley and her boyfriend Ian Brady, killed five young people in the 1960s in Manchester, England, sexually assaulting four of them. Several bodies were left on bleak, desolate moorland; the corpse of Keith Bennett has never been found. The judge described Hindley and Brady, who used axes, blades and even pieces of string to murder their victims, as “two sadistic killers of the utmost depravity.”

2) Miranda Barbour
Officially, the ‘Craigslist Killer’ and her husband Elytte killed just one victim named Troy Laferrara, who had responded to an advertisement for ‘female companionship'. However Barbour has stated in various interviews that she killed at least 22 others in a six year bloodbath across the US, fuelled by Satanic beliefs. The 19-year-old has expressed no remorse throughout the case –here’s how the New York Post has covered her crimes.

3) Rosemary West
West and her husband Fred are the third couple on this list to wreak unspeakable havoc. She was convicted of 10 murders in 1995, committed in the ‘Cromwell Street House of Horrors’ in Gloucester – including the couple’s 16-year-old daughter Heather. There are many parallels between Hindley and West, including the sadistic sexual nature of the crimes, and the fact that some remains have never been discovered.

4) Belle Gunness
This Norwegian immigrant used her imposing six foot frame to kill anywhere between 25 and 40 people across America, collecting insurance, cash and valuables on the way. The list included two husbands, multiple potential lovers and several of her own children. Gunness was never sentenced for her crimes; her body was found following a fire at her home in Chicago in 1908 - along with many others.


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Wicked, Wicked (1973) Review
Maniac (1980) Review
Deadline (1981) Review
Death Bell Review
The Rite Review
HUSK Review
Cemetery Man Review
Seconds Apart Review
Buried Review
The Uninvited (1944) Review
Direct Your Own Damn Movie Review
City of the Living Dead (1980)Review
The Forest (1982) Review
JIGOKU (1960) Review
Let The Right One In Review
Lost Boys: The Thirst Review
Near Dark (1987) Review
The Human Centipede Review
Thirst (2009) Review
Night School (1981) Review
Night of The Demons (Remake) Review
The Splat Pack Review
The Maid Review
Hatchet II Review
The Last Exorcism Review
Victim Review
Shadowland Review
Bloody New Year Review
Black Christmas (1974) Review
Splice Review
The Art of Hammer Review (Book)
Doghouse Review
The Blair Witch Project Review
Horror Movie Freak Review (Book)
Lake Placid 3 Review
Paranormal Activity Review
Sella Turcica Review
The House of The Devil Review
UNDEAD Review (Novel)
The Woman In Black Review
Ghost Story Review
Eraserhead Review
Day of The Dead Review
The Woman Review
Night Of The Living Dead Review
Terror at Red Wolf Inn Review
The Theatre Bizarre Review
The Mortician Movie Review
Happy Birthday To Me Review
Mountaintop Motel Massacre Film Review
Frankenhooker Blu-Ray Review
The Necro Files Review
Donner Pass Review
Shark Night Review
Night Feeders Review
New Year's Evil Review
Never Sleep Again Review
Creature Review
Haunting at The Beacon Review
Zombie Review
Chromeskull Laid to Rest 2 Review
Devil's Rock Review
Fright Night (Remake) Review
Area 51 Review
Five Senses (comic) Review
Antropophagus Review
Lightning Bug Review
Never Feed the Troll Review
Alone in The Dark Review
Dead Alive Review
Zeke Review
Laid to Rest Review
The Beyond Review
Monsterwolf Review
Splinter Review
Mirrors 2 Review
Mail Order Review
Snowtown Review
The Dead Review
The Shrine Review
Run Bitch Run Review
Mutilation Mile Review
The Howling Reborn Review
The Human Centipede 2 Review
The Walking Dead Review
The Echo Review
Dream House Review
Yellow Brick Road Review
Baby Blood Review
Halloween 3 Review
Feast Review
The Child's Eye Review
Scourge Review
Martyrs Review
Mothman Review
Wrong Turn 4 Review
The Keep Review
Red State Review
Paranormal Activity 3 Review
Deviling Review
Slugs Review
Nightmare on Elm Street 2 Review
Night of The Hunter Review
Pick Me Up Review
Hillside Cannibals Review
Friday the 13th (1980) Review
The Green Monster Review
The Thing (2011) Review
Night of The Vampire Review
Killer Review
Alyce Review
The Fog Review
Of Unknown Origin Review
The Revenant Review
Exit 33 Review
Rage of the Yeti Review
Let's Scare Jessica to Death Review
Territories Review
Blood Freak Review
Solstice Review
Blood Roses Review
The Haunting Review
Silent Night Deadly Night Review
Silent Night Deadly Night Review Review
Rare Exports Review
Ashes Review
Perfect Witness Review
Santa's Slay Review
Little Deaths Review
Lips of Blood Review
Bill Oberst Jr.
Silent Night Deadly Night 5 Review
Don't Let Him Review
Hell Driver Review