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Camp Dread (2014) review

Camp DreadReviewed by Colleen Wanglund

Camp Dread (2014)
Directed by Harrison Smith
Runtime 94 minutes

Written and directed by Harrison Smith, Camp Dread stars Eric Roberts as Julian Barrett, a washed-up director of a trilogy of hit horror films who has a scheme for another “big” project. Barrett brings together a group of troubled twenty-somethings who were given the choice of jail or boot camp, and two of his former stars for a reality show. The camp is actually the site of Barrett’s original three films, a working summer camp in a small town overseen by Sheriff Donlyn, played by the lovely Danielle Harris. The “contestants” will have to get the camp ready to open, as well as take part in challenges, go to therapy sessions, and risk elimination. That elimination becomes all too real rather quickly.

For a B-movie, Camp Dread isn’t too bad, even though the plot has some implausible aspects to it. First, the star of Barrett’s horror “summer camp” trilogy, Rachel Steele (Felissa Rose) just happens to be an actual therapist now. Second, most, if not all of the young people have exhibited criminal behavior. Why would a judge allow them to participate in a reality show with a million dollar prize? I also found there to be too many characters, resulting in poor character development. How am I supposed to care about any of these kids when the bad stuff starts happening if I don’t like any of them? And most of them, I REALLY didn’t like. I liked Roberts as Barrett—Roberts always plays a fantastic sleazeball--but I was disappointed in Danielle Harris’ limited screen time, although I did enjoy what was done with her character.

Devil’s Due (2014) Review

Devils Due CoverBy Jesse Miller

The Omen, Rosemary’s Baby, Paranormal Activity, The House of the Devil - we’ve all seen the ‘satanic panic’ horror film before and ‘Devil’s Due’ gives the whole theme another shot, following newlyweds Zach and Sam as they await the arrival of their firstborn. And we all know where this is going, don’t we?

When this subject matter has been done to death, one can fall back on the comfortable thought of ‘well, to hell with it, it’s entertainment so let’s see if it delivers?’ and does this film deliver? Look, it’s very lackluster because the film falls on some horror film beats that we’ve all seen done before time and time again, delivering a flat journey into horror with scares that miss their chance to truly pop out at you.

Yeah, the couple here is fantastic, have great chemistry and yeah, they do their absolute best with what they’ve got to work with and succeeded in getting me engaged. In all honesty, Devil’s Due sets up the couple effectively enough. They’re cute kids and it’s lovely seeing them goof around before the horror begins. Unfortunately, when the horror begins, the relationship between the two is put on the back burner for the shenanigans and that particular story arc unfortunately ends with a whimper.

There’s little unique or new that’s brought to the table, aside from some rather excellent visual shots when everything all goes to..well, hell.

Whether or not you’ll enjoy this spectacle depends entirely on whether or not you’ll be happy to sit back in your chair with choice of beverage or snacks, come to terms with the fact that this is recycled horror and just enjoy the ride for the 89 minutes or so.

FANtastic Horror Film Festival 2014 official film selections announced

FHFFFANtastic Horror Film Festival has recently released its film selection list for 2014.

Check out the video interview below from Dawna Lee Heising of MoreHorror In Hollywood as well as the graphic showing screening times.

From The Press Release:
The FANtastic Horror Film Festival (FHFF) will be holding its inaugural event during Halloween Weekend, as part of the Annual Gaslamp Halloween Celebration in San Diego.

Billed as the Premiere Horror Festival in San Diego, the event will showcase over 30 independent full-length horror films and shorts over a three-day period, October 31st, and November 1st and 2nd. All films showcased are billed as premieres, from World Premieres to local premieres. All films showcased have never been seen in San Diego.

Many luminaries from the indie horror community will be on hand to meet their FANS; prominent actors and actresses, directors and producers as well. The Festival starts with a gala Kick-Off Party on Spirit Night, October 30th, on the Rooftop Poolside Lounge at the fabulous Westgate Hotel in the heart of the Gaslamp Quarter. Jim Dolore and the Cult of Light will be performing.

The screenings will take place at the Premiere Festival Theater in San Diego, the AMC Reading 15 Theater on 5th street in the Gaslamp Quarter of the city. Known for hosting any of the city’s film festivals, the AMC Reading knows how to put on a great festival. Horror films of all genres will be presented, including gore, thriller, psychological, comedy, and even animation.

FANS are also invited to participate. FAN voting will help decide who will walk away with awards. In a departure from most indie awards, the FHFF Awards Banquet will have awards for both Oscar® style categories, such as Best Actor and Best Film, as well as Horror Genre Specific awards, like Scariest Death and most Gore. FANS are invited to vote online their Facebook page, listed below.

Beyond the Door (1974) Review

Beyond The Door PosterBy Jennica Lynn Johnson

Does possession happen to people in real life? Is the Devil real? Tears streaming down my face, those were the kinds of questions weighing heavily on my mind after my first viewing of The Exorcist (1973). The fear of becoming Satan’s next vessel was instilled in me at nine years old.

Since its 1973 release, The Exorcist inspired the production of many copycat films with Beyond the Door (1974) aka Che Sei? being the “most commercially successful,” according to Nikolas Schreck, author of The Satanic Screen: An Illustrated Guide to the Devil in Cinema. In fact, Beyond the Door star Juliet Mills confessed that the film was believed to resemble The Exorcist so closely that Warner Bros. had to be paid approximately $90 million. Although still loaded with as much shock value as The Exorcist, Beyond the Door reveals a sneakier, more seductive side to satanic culture and there aren’t any priests to save the day this time.

“Tonight I stand on the edge of eternity where she left me in the dark with self-despair. I’ve been turned away by Heaven. Now let the Devil hear my prayer.” Much unlike The Exorcist, in which musical scores such as Mike Oldfield’s Tubular Bells strictly serve the purpose of enhancing the heart-racing eeriness of the story, the music heard in Beyond the Door is almost like an omniscient character within the film.

The opening song, Bargain with the Devil, composed by Franco Micalizzi, is a funky little ditty which narrates the main plot of the story and sets the overall mood throughout the film. Bargain with the Devil tells the tale of a man, Dimitri (Richard Johnson), who has made a pact with the Devil to punish his former lover, Jessica (Juliet Mills), in exchange for immortality. What the song does not disclose is that Jessica was and still is married with children. Oh, and her punishment must be delivered in the form of satanic possession followed by Dimitri stealing her unborn child.

In addition to narrating the story, music is also personified to reflect the emotions of the main characters in the film. A case in point is when Jessica’s husband, Robert (Gabriele Lavia), is frantically running through the streets of San Francisco concerned for his now possessed wife.
As he begins to pick up his pace, a group of street performers begin following him and closing in on him, creating a nearly suffocating wall around him as they play jazzy tunes on their flutes and saxophones. The louder the music gets and the closer the musicians get to Robert, it is impossible not to feel his panic and desperation to get home to his wife and find a way to cease her suffering.

Summer Psychotronic Short Film Night

Jumpcut Cafe Horror Film ShortsBy Jonathan Weichsel

The Jumpcut Cafe has long been the hangout spot for the horror crowd in Hollywood, and for very good reason. Not only does the cafe feature screenings of both popular and hard to find classic horror films, but it also showcases new films by some of the most exciting young talents working in Hollywood today. Curator Elric Kane has a very eclectic taste in movies, and is a smart programmer who reaches far into the indie horror community find the best, most cutting-edge short films possible. What follows are my favorite films of the night, in no particular order.

Far Out, directed by Phil Mucci, opened the night. Far Out is a, well, far out vampire flick that takes place during the swinging sixties. The film perfectly captures the mood and look of a space age, mod bachelor pad shindig. Far out is a fun, at times funny little flick with cool visuals and a lot of blood.

House Call, which screened right after Far Out, is another vampire film, directed by Graham Denman and written by Dick Grunert, a popular screenwriter in the festival scene and a Jumpcut cafe regular. Where Far Out is a psychedelic romp, House Call is a studied thriller. Horror favorite Ruben Pla plays a dentist who is home alone when a man barges into his house with a gun, claims that he is changing into a vampire, and demands that the dentist remove two of his teeth that he believes are growing into fangs. House Call features a strong script, taut storytelling, and a standout performance by Pla.

Red Red, directed by Ama Lea, is a Dario Argento/Giallo inspired surreal, disturbingly sexual, totally weird slice of horror. Although Red Red was presented as a rough cut, which is filmmaker lingo for unfinished film, with a temp score and sound, from what I saw I can say that once the film is finished it will have the potential to become my favorite horror film of the year. I have seen other Giallo inspired films recently, but Red Red captures the look and feel of the genre better than any of them. At twenty minutes, Red Red was the longest film of the evening, but it was also the most deep, complex, and provoking movie screened. I just love movies that dive into dangerous territory, and this story of sexual abuse and repression goes where others won't.

The Walking Dead: The Complete Fourth Season review

The Walking Dead Season 4Reviewed by Jesse Miller, MoreHorror.com

Since its arrival, the zombie apocalypse horror-drama has seen much success but from where I stood, it appeared that the show was struggling a bit with capturing the little things that made its graphic novel so hard-hitting, nasty and just a hell of a story, with well-rounded characters.

To me, it seems The Walking Dead has improved a little more with those details with each season that comes. Is this perhaps due to the shift of showrunners over the past three seasons? Seeing as though when Frank Darabont exited as showrunner after season one, Glen Mazzara took over until he himself exited after season three, leading Scott Gimple to assume the role for this fourth season.

Regardless of what played out behind the scenes, the 16 episodes that make up this rather effective fourth season sees The Walking Dead at its best yet, correcting past mistakes and delivering what it’s come to be known for – gut-wrenching turns in the story, excellent character development and of course, the nastiness that comes with living in a world such as the one that the characters inhabit.

The main cast here are all in top form and across the season, each cast member gets their time to shine in both the quieter dramatic moments and otherwise. We’d be here all day if I were to highlight each cast member and dive into how effective they become in their roles but I’d like to point out Andrew Lincoln in capturing Rick’s torment at what role he has to play to these group of survivors. Danai Gurira has much more material to work with as Michonne gets fleshed out and given more life besides her glaring silent ways. Norman Reedus gets some exciting material as well to work with in the second half of the season where he has more range to work with besides being the general gruff southern bloke. Lawrence Gilliard, Jr. joins the main cast as Bob Stookey, former army medic and struggling alcoholic. Gilliard is an exceptional character actor and as Stookey, he is fascinating to watch.

Rosemary’s Baby (1968) review

Rosemarys Baby 1968Reviewed by Grace Fontaine, MoreHorror.com

Rosemary’s Baby (1968)
Starring: Mia Farrow (Rosemary Woodhouse), John Cassavetes (Guy Woodhouse), Ruth Gordon (Minnie Castevet), Sidney Blackmer (Roman Castevet), Ralph Bellamy (Abe Sapirstein) and Clay Tanner (Satan)

Warning: I would not recommend watching this if you are pregnant, ladies.

“Rosemary’s Baby” does not thrive on eliciting base, violent terror upon its viewers, the aims it has is far sinister- it wants to put you off balance and keep you there.

Young newlyweds Rosemary and Guy Woodhouse have picked up sticks and set down in a grand yet somewhat ancient apartment building smack bang in the middle of cosmopolitan New York City. Rosemary is a clever yet naïve housewife who is quite content to be a homebody while Guy is a struggling actor who is desperate to make it big in the Big Apple. Although the couple share a loving and playful relationship, Guy is especially beginning to feel the pressure that his success in this brand new city will gage the rest of his life as well as his self-worth to not just himself but to Rosemary. Rosemary knows she can’t do much to help him practically, but nonetheless, she willingly maintains the household and offers him the support she feels he requires. However, upon their arrival, they meet Minnie and Roman Castevet, an elderly married couple who live just a few doors down from their apartment. The older spouses effectively adopt their younger equivalents almost instantaneously and the foursome strike up a close bond that goes beyond simple ‘mi casa su casa’. However, although Rosemary is quite fond of her eccentric yet neighbours, she starts to feel they have an inexplicable tendency to be nosy. Especially when she becomes pregnant with Guy’s child… or… at least she thinks it is Guy’s child…

I personally have no allegiance to Roman Polanski’s chiller originally penned by Ira Levin. I have seen it several times and it unquestionably has earned its’ praises, but it’s not a film that gives me the creeps. One would argue, with me being female and biologically designed to pop a baby out, it would trigger some species of personal reaction within me… it didn’t. I feel that may be due to the fact I have not been and am not pregnant… least that I know of. Anyway Satan would have to be pretty darn desperate if he wanted to put a baby in me the old fashioned way. Then again, it is not a film that was made to cause the viewer to melt into a quivering, baseless mess on the floor. This is a film that relies in gently yet firmly gripping the audience seductively by the neck and leading them down into a dark abyss of subtle dread. I completely appreciate its’ style and unique approach, however, and that is why I am writing this review. Truth be told though, Polanskis’ film firmly possesses a highly distinctive visual aesthetic and a fascinating yet simple story at its core plus a definitive purpose in tone and narrative. It is a deliberate slow burn, a finely tuned cat-gut wire that is constantly being wound around and around a ball of intangible yet unmistakable tension. When the crucial moments arrive, the wire comes back and THWACKS you in the face, leaving a thin, graceful slice across your features and a sliver of blood rather than a messy, unrefined gash.

Absurd (1981) review

Absurd PosterReviewed by Chris Wright, Morehorror.com

Absurd” (1981)
Directed By: Joe D'Amato (As Peter Newman)
Written By: George Eastman

Starring: George Eastman (Mikos), Annie Belle (Emily), Charles Borromel (Sergeant Engleman), Katya Berger (Katia Bennett), Kasimir (Willy Bennett), Hanja Kochansky (Carol), Ian Danby (Ian Bennett), Ted Rusoff (Dr. Kramer), Edmund Purdom (Father), Cindy Leadbetter (Peggy), Lucia Ramirez (Angela), Michele Soavi (Biker), Martin Sorrentino (Deputy), Goffredo Unger (Machine Shop Owner)

“Absurd” is definitely absurd. This movie is truly grotesque at times. Joe D’Amato’s movies do not shy away from extremely gory moments. This Italian film is listed among the 39 prosecuted films listed on the British “video nasty” list that were banned entirely for graphic content. This film is under various names. In America, Wizard Video released a VHS big box with a new label called “Monster Hunter.” In some countries it was tacked on to the “Zombi” label as “Zombi 6: Monster Hunter.” Also, some have labeled it “Anthropophagus 2” or “Grim Reaper 2.” The movie had various cuts on each release and to this day has never been given a proper DVD release in its uncut form.

The plot is about a priest who comes to down to get rid of a “monster” that has blood that coagulates very fast. What they do not expect that this monster is nearly unstoppable and soon goes on a killing rampage throughout the town. This plot is suppose to have overtones of D’Amato’s “Anthropophagus” where a human gone mad goes on a killing spree. The only real connection is the director and the person doing the killing (George Eastman) are in it. There is no other connection to that movie. Some have even labeled elements of this movie to John Carpenter’s “Halloween.”

Piranha (1995) review

PiranhaReviewed by Kevin Scott, MoreHorror.com

Piranha (1995)
Written by: Richard Robinson (story), John Sayles (original script)
Produced by: Roger Corman
Directed by: Scott P. Levy
Cast: William Katt (Paul Grogan), Alexandria Paul (Maggie McNamara), Monte Markham (J. R. Randolph), Mila Kunis (Susie Grogan), James Karen (Governor), Leland Orser (Terry Wechsler)

In this day of remakes and re-imaginings, this little anomaly would be anything but unusual. However in 1995, this was a strange curiosity, that was brought into existence for no particular reason that I know of. It was a made as TV movie for the Sci Fi Channel (Yep, that’s the old school spelling back in ’95) when it was still trying to find its niche. Then only three years old, the Sci Fi Channel was more than likely showing reruns of cult favorite tv shows, and had not tapped into the fertile ground of the nouveau B movie that it is now famous for.

I saw the uncut version in its entirety on YouTube and I don’t know if it received any kind of theatrical release anywhere else, because it does have nudity. The classic introduction scene with the unlucky backpackers at the Army research facility holding tank, has a new girl undressing that should be in a Great White video, no free 1970’s love there. That ironically brings me to the point of this being an almost exact remake of the 1978 classic. Not shot for shot, but only minor differences. It was even filmed in some of the same locations. I even read that Roger Corman intended some of the new sets for this film to closely resemble the original sets, to use some of the old piranha attack footage from the 1978 film. I’m not surprised, after all Roger Corman is not known for wasting anything.

As far as plot goes, if you are familiar with the original, it’s pretty faithful. A top secret Army project commandeers a fish hatchery close to a nearby river, and quietly attempts to create a super strain of bloodthirsty Piranha that can survive in any type water to disable enemy river systems in wartime. They are accidentally released into said river, and a reluctant hero and an investigator form an unlike pair to stop the fish from reaching the nearby summer camp. Some unique choices here for the leads. I like both these actors, William Katt and Alexandra Paul. They seem to be taking it seriously, although it’s hard for me to see William Katt as pickled and screwed up as Bradford Dillman seemed to be, and Alexandra Paul seemed a little more buttoned down than Heather Menzies But you know what? It really doesn’t matter.

Full official trailer for 'House of Manson' releases

House of Manson Posterby Seth Metoyer, MoreHorror.com

It was 1969 man, you know -- the Summer of Love. Now that time is being refocused by an upcoming Charles Manson biopic called House of Manson

Following up its US premiere at The Galactic Film Festival in California and its UK premiere at Fright Fest, Micro Bay Features LLC has unleashed the full theatrical trailer for House of Manson. Watch the killer trailer below the official details.

From The Press Release:
"House of Manson" chronicles Charles Manson's life from childhood up until his arrest following the raid on Barker Ranch months after the infamous Tate/LaBianca murders that sent a shockwave not just through Los Angeles, but throughout the entire world.

The film was written and directed by Brandon Slagle, who was recently deemed the "go-to-gore-guy" by the Hollywood Reporter during their coverage of the European Film Market. While not a "gory" film, "House of Manson" is poised to take a more intense approach to the subject matter than previous film and TV iterations have. The film was produced by Britt Griffith, (Syfy's Ghosthunters), who also produced Slagle's previous directorial effort, the dark creature feature "Dead Sea", which recently sold through at retail outlets.

Actor Ryan Kiser (Truth or Dare), stars as Charles Manson, having previously played the role in the acclaimed short film "Lie". Rounding out the cast is Reid Warner (Oren Peli's Area 51) as Tex Watson, Chriss Anglin (Call of Duty: Black Ops) as Ronald Hughes, Devanny Pinn (The Black Dahlia Haunting) as Susan Atkins, Serena Lorien as Patricia Krenwinkel, Erin Marie Hogan (Paranormal Entity) as Linda Kasabian, Suzi Lorraine (Music and Lyrics) as Sharon Tate, Tristan Risk (American Mary) as Abigail Folger, as well as Julie Rose, Adrian Quihuis, Mel Turner (Deadliest Warrior), Jason McNeil, Ryan Cleary, Keith Kraft (Beowulf), Trish Cook (Dark Tide), Tawny Amber Young, Max Wasa, Darius Devontaye Green, and many more.


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