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Friday the 13th Part V: A New Beginning (1985) review

Friday the 13th Part V: A New BeginningReviewed by Kevin Scott

Friday the 13th Part V: A New Beginning (1985)
Written by: Martin Kitrosser, David Cohen, Danny Steinmann
Directed by: Danny Steinmann
Cast: Shavar Ross (Reggie), Melanie Kinnaman (Pam), John Shepherd (Tommy Jarvis), Richard Young (Matt), Debisue Voorhees (Tina), John Robert Dixon (Eddie), Juliette Cummins (Robin), Jerry Pavlon (Jake), Dominick Brascia (Joey), Tiffany Helm (Violet), Mark Venturini (Vic), Miguel A. Nunez Jr. (Demon)

This film was the very first one that I wrote any kind review for on an online platform. That was the first brave step in my cause for championing this film. Albeit, it was a small step, because maybe two people probably stumbled across it. Either way, I did it and I’m not ashamed. Matter of fact, I’m taking it to the big show by including it here. All of my feelings for this bastard child of the series just happened to resurface after reading about it in “Camp Crystal Lake Memories”.

For anyone that doesn’t know about that book, it’s a must for the any fan that chronicles the complete history of the series from the original to “Freddy vs. Jason”. Frankly, Part V just can’t catch a break, not even in any tribute to the Friday series that I have seen. I just happened to pick up a double feature disc of part 5 and part 6 the other day, and the behind the scenes actually had an objective point of view about this film. It was worth having duplicate copies of part 6 (I always buy movies on a single disc days before they include them with another film that I’m gonna buy too). No complaints though, first world problems.

Silent Hill (1999) Video Game Review

Silent Hill Video Game ReviewBy Jesse Miller

Sure, it’s not much to look at now in 2014 and the voice acting is mostly atrocious and unintentionally hilarious (I dare you to not laugh during a cut scene involving some heavy exposition between characters) but Silent Hill was something else back in its day, crafting a unique psychological horror and gaming experience that was quite unlike the horror games that came before it.

It certainly wasn’t the first survival horror video game to come out on the market. Alone in the Dark and Resident Evil were making waves with their terrifying approach to the genre for a few years before. And is there anybody out there that can remember Clock Tower on the Super Nintendo? Sheesh man – I still get shivers thinking about that one. Yet it’s the approach to the horror, not only in terms of storytelling but also sound design, creature design and imagination, that sets Silent Hill apart from these other titles. That and it holds a special place in my heart as being the first encounter with survival horror I had, as I first played this entry as a sixteen year old huddled in the dark, gripping the controller as I wandered the dilapidated hallways of an abandoned school listening out for the guttural moans of the local creatures.

You step into the shoes of father Harry Mason who was on his way to Silent Hill with his daughter Cheryl for a vacation. When we first meet Harry, he’s gaining consciousness after their car was in an accident – only his daughter Cheryl is missing and a sinister fog is over the town around him.

Desperate to find his daughter, Harry sets off into the fog and into the twisted town of Silent Hill where nightmarish creatures, an ancient evil and a disturbing secret await him.

Blood Lake: Attack of the Killer Lampreys (2014) review

Blood Lake PosterReviewed by Kevin Scott

Blood Lake: Attack of the Killer Lampreys (2014)
Written by: Anna Rasmussen and Delondra Williams
Directed by: James Cullen Bressack
Cast: James Brooks (Michael), Shannen Doherty (Cate), Zack Ward (Will), Christopher Lloyd (Mayor Akerman), Ciara Hanna (Nicole), Yar Koosha (Kyle), Fred Stoller (Rich), Rachel True (Marcy), Jeremy Wade (Lamprey Expert)

I’m a huge “Piranha” fan, and I’ll watch anything (anything that is!) pertaining to lake horror. Hockey masked killers, prehistoric monsters, government altered mutated fish, toxic waste mutated marine life and even zombies, are all enhanced when set at a lake. It’s in a more confined space than the ocean, there’s usually plenty of expendable characters getting their vacation on to up the body count, and it makes one think twice that fresh water is absolutely, positively safe.

“Blood Lake” is an Asylum film that deals with something that is creepy enough as it is without giving it a B movie bloodthirstiness. Lampreys are pretty much vampiric eel or snake like things, with a sucker for a mouth that’s lined with rows of teeth. It’s pretty good fodder for a horror film and it could work pretty well. The poster art is a bit deceiving because it looks like humans are mutated into lamprey like monsters, but no, this is a straight up “nature gone crazy and the lone hero has to stop it” kind of flick. It has a lot of tropes in it, but sometimes that’s not bad thing. It also has a cast of semi notables that were much more notable for something more well known give or take a couple of decades ago.

The Bay (2012) Review

The BayReviewed by Jesse Miller

When it comes to horror films, there are two particular subjects that really get under my skin and make me cringe in my seat. One of them is demonic possession and the other is horror films featuring foul and gruesome flesh eating of any kind and this just happens to be the main plot point in The Bay, which sees the population of a small Beachy town that comes into contact with a nasty parasite.

The story spins off into multiple threads as we follow characters ranging from a lovely little newswoman to the folks at the CDC as the outbreak unfolds over the next couple of hours in horrific, stomach churning fashion.

The film is directed by Barry Levinson and it is quite exceptionally shot, taking the form of an explicit documentary that you might find late at night on Animal Planet but at the same time managing to orchestrate thrills and chills without falling into lacklustre territory. Everything is pulled out for show here, from lagging Facetime cameras to police car cameras to webcams and each element plays its part beautifully, which is to say, horrifically.

The cast all play their part effectively and with enough heart so that each member and character here feels naturalistic and never feeling forced or bland which is unfortunately what some characters in found footage films end up like, ruining the realistic approach. This isn’t the case with the actors of The Bay, as they manage to breathe life into their characters and you even come to like and care about a few of them.

Cult horror throwback 'HONEYSPIDER' to have premiere

Honeyspiderby Seth Metoyer

The cult throwback horror feature movie HONEYSPIDER will make its premiere on October 18th, 2014 a the Gem Theatre in Kannapolis, North Carolina. Check out the full details and trailer below.

From The Press Release:
HONEYSPIDER, a cult throwback horror feature film from indie filmmakers Josh Hasty and Kenny Caperton, will premiere on October 18th at the historic Gem Theatre in Kannapolis, North Carolina, where a portion of the film was shot. The theatre is hosting a horror night double feature also including George A Romero's zombie classic 'Night of the Living Dead' from 1968. The film is also screening at a Drive-In in Henderson, NC with the original 'House on Haunted Hill' starring Vincent Price, as well as showing at the historic Murphy Theatre in Wilmington, OH with 'The Rocky Horror Picture Show.'

HONEYSPIDER takes place in 1989 on Halloween day and follows college student Jackie Blue as she slowly unravels, all while a mysterious stranger watches over her every move. Soon she finds herself helplessly trapped like prey in a spider’s web, and all she can do is try to survive the night!

HONEYSPIDER is written and produced by Kenny Caperton (owner of the infamous Myers House NC) and directed by Josh Hasty ('A Mannequin in Static') of Paramount Scope. The film stars Frank Aard ('April Fool's Day' remake), Joan Schuermeyer ('Zombieland' and RZ's 'Halloween 2'), Rachel Jeffreys, Samantha Mills ('Bombshell Bloodbath') and newcomer Mariah Brown.

Billy Corgan of the iconic rock band The Smashing Pumpkins has generously given the filmmakers the rights to use one of his early SP tracks entitled “Honeyspider,” which inspired the name of the movie. The film will also feature music from legendary music producer and singer songwriter Gary S. Paxton, who arranged and produced the original Bobby (Boris) Pickett and the Crypt-Kickers “Monster Mash” album.

Review: Halloween Complete Collection Blu-ray Box Set (Deluxe Edition)

Scream Factory Halloween Deluxe Box SetBy Jennica Lynn Johnson

“Look, the boogeyman can only come out on Halloween night, right?”

Sorry, Laurie, but this year Halloween came early. On September 23rd, horror fans near and far—myself included—rejoiced when Shout Factory / Scream Factory released a 10-disc (or 15-disc if you threw down the extra cash for the Deluxe Edition) Blu-ray box set containing every film in the Halloween franchise along with a wide array of bonus features. It’s time to lock your doors and hold on tight as I guide you through the night he came home… with me.

Before digging into the discs themselves, it is impossible not to acknowledge the beauty of the box that houses the discs. On one side, there is the classic jack-o-lantern which has become iconic to the Halloween franchise.

What is really worth noting is the Michael Myers artwork on the two opposite sides of the box. They resemble paintings one might expect to find in a museum exhibit which, to me, is perfect because it reminds me of a Bob’s (John Michael Graham) death scene in the first film. When Michael stands back and tilts his head from side to side, I had always imagined he was admiring a work of art.

Disc 1 – John Carpenter’s Halloween (1978)

While the first disc contains audio commentary by John Carpenter and Jamie Lee Curtis and “The Night She Came Home” featurette which were included in the 35th anniversary Blu-ray released just last year, it also has an excellent new audio commentary with Dean Cundey, Tommy Lee Wallace, and The Shape himself, Nick Castle.

Disc 2 – John Carpenter’s Halloween (1978)

Exclusive to the Deluxe Edition box set, the second disc is literally the same exact transfer as the 2007 Blu-ray release of Halloween right down to the special features. There isn’t anything new to see here, folks.

There are, however, a few minor differences between Disc 1 and Disc 2, one of those differences being the picture. After viewing both discs, it is obvious that the 2007 release on Disc 2 has a blue tint to the color of the picture that can be especially noticeable during scenes taking place at night. But the transfer on the first disc was personally supervised and approved by Dean Cundey. So, there’s that.

The Deluxe Edition gives die-hard horror fans the advantage of having both Halloween transfers in one package so they can conveniently choose which transfer is superior, and then proceed to bicker amongst each other.

Director James Cullen Bressack kicks off Eli Roth's 'The Crypt Presents' HALLOVINE

HALLOVINEby Seth Metoyer

Eli Roth is bringing the horror to Vine for the Halloween season and today director James Cullen Bressack (To Jennifer, Hate Crime, 13/13/13, Blood Lake, Pernicious) kicked off the campaign.

On October 3, 2014, Eli Roth’s The Crypt launched HALLOVINE: 13 Horror Directors, 13 Original Shorts.

Check out the full details below and watch all four installments that Bressack unleashed on Vine titled Intruders. Watch them below the official details.

For the next 12 days, bookending with Eli Roth on October 15th, the directors who will be participating in the “13 Days of #HalloVine”, in no particular order, with a few other not-yet-announced surprises, are: Chris Mintz Plasse, Jennifer Biehn, The Vicious Brothers, Emily Haggins, Doug Rath, Zachary Donohue, Alex Pulisci, Kheireddine El-Helou and Pearry Teo.

From The Press Release:
13 DAYS OF #HALLOVINE! The Crypt and 13 of your favorite horror directors invade your phone!

Check out The Crypt on VineTwitter, and Facebook @FearTheCrypt or on the app FeartheCrypt.com.

The Crypt, Eli Roth’s multi channel horror studio and iPhone app, is bringing fear to your phone this Halloween as 13 directors are participating in The Crypt’s 13 Days of #HalloVine!

#HalloVine begins October 3rd and ends with Eli Roth himself on October 15th! Find these scary Vines by following The Crypt on Vine or checking out any of The Crypt’s social media channels @fearthecrypt.

'Heretic Haunted House' review

Heretic Haunted House in LABy Jonathan Weichsel

I was attracted to Heretic Haunted House by creator Adrian Marcato's surreal, insane stream of consciousness ramblings promoting the event, which promises to be an interactive horror experience that fucks with your body and mind. But more than that, and I think that anybody who would voluntarily put themselves through a simulation where they play the victim in a torture porn flick would tell you the same thing, I wanted to have an experience. I wanted to raise my heart rate a little. I wanted to feel like I was in danger. I wanted to feel excited.

Heretic Haunted House really makes you feel like you are in actual danger. Even now, writing this review, I am not entirely sure that I wasn't in danger during the simulation. Maybe it's because a hypnotist hypnotizes you at the very beginning, but there were times when it crossed my mind that the cast was really going to kill me. There is an overarching plot, but given that events such as this rely on an element of surprise, for me to outline it here would detract from the experience of anybody who reads this review and decides to go.

I will say that the initial sense of dread is created slowly at first when you are outside the house, but the moment you step inside things go from zero to 120 mph pretty damned fast. You will be attacked. You will be really hypnotized by a real hypnotist. Once hypnotized, you will be chained, and will have knives and other weapons brandished inches from your face. They will force your mouth open and threaten to cut your tongue out. You will be knocked around and dragged across the floor, and half naked women will writhe all over your blood soaked body. And all that is just a small taste of what's in store for you.

40th Anniversary edition of 'The Texas Chainsaw Massacre'; Sally and Leatherface - Feminism vs. Patriarchy (an essay) and audio review

TCM 40th Anniversaryby Grace Fontaine

Sally and Leatherface- Feminism vs. Patriarchy (A very short personal essay)

The Texas Chainsaw Massacre has been sequelized, prequelized and remade, but has never, ever been equalled. It is a highly important and influential film that manages to tick the box of being a good film and one that is culturally significant. However, I feel that this film would not have been the same were it not for Marilyn Burns’ Final Girl character Sally Hardesty.

These days, we tend to associate the moniker with the Smart, Resourceful, Shy and Conservatively Dressed Girl who escapes death seemingly because she is a virgin who is concerned by the notion of sex. Back in the 1970’s, society was seeing the revolutionary insurrection of feminism- up until that point women had always been portrayed as shrieking damsels in distress who needed the services of a brave, daring man to save them from death or worse. However, with the onset of the feminist movement, there came a brand new (?) notion that;

a) Women were more than capable of taking care of themselves, thank you very much


b) They too enjoyed the act of sex as more than a means of extending a brood.

Sadly this notion is still maintained by some Stone Age, pterosaur-wing munching knuckle-draggers, but fear not, for soon they shall sink into oblivion. In my opinion, although there is a strong sense of symbology in the general notion of the Final Girl, I am not a huge fan of the way this trope has been liberally thrown around as if it were candy. Just like with any gift, blessing or talent we are given, there comes a time of which we take it for granted, giving no thought to what it truly means and it may ultimately take it’s loss until we realise how valuable it is. In a sense it has become a trope, something essential.

There have been several few occasions of which this concept has been challenged, but it was Wes Craven’s post-modern satire face slap known as “Scream” that turned that element on its head and made us all take notice of this trope.

The thing is about Sally though is that we know next to nothing about her personal life, but from what we can see she dresses how she wants, acts how she wants and has an easy-going relationship with her boyfriend. Given this was the early 70’s and casual sex was starting to become an acceptable thing, the whole virgin notion was not even a factor.

'After School Massacre' brings the Slumber Party Slasher to VOD

After School Massacreby Seth Metoyer

After School Massacre is getting ready to release on VOD on November 4th. Don't miss this brutal slasher film from writer and director Jared Masters. Not every student will make the grade. Details below.

From The Press Release:
Brain Damage Films invites you to sleep over with After School Massacre on VOD this November 4th! Heads will roll, breasts will bounce, and these six girls will learn a new meaning for teacher appreciation in this fun yet brutal slasher. Availability will include all major and minor cable/satellite VOD operators, as well as major internet platforms including iTunes, Vudu, Amazon Instant, Google Play, Xbox Video, and more.

About the Film
After School Massacre (previously titled "Teachers' Day") is the latest from writer/director Jared Masters (Slink) and his production company, Frolic Pictures. The film, which was nominated for Best Feature at this year's Shockfest, is a sure hit among horror fans with its hot pink, ring-pop terror and wanton slaying of beautiful underwear-clad girls!

It stars Nikole Howell, Danika Galindo, Lindsay Lamb, Yasmine Soofi, and Simone Wasserman. Additional cast includes Art Roberts, Dawna Lee Heising, and fun cameos including Mindy Robinson.

Ain't It Cool News' Mark L. Miller says "This throwback to old school low budget slasher films has a lot of moments that made me smile ... there are some great moments of gleefully gory and carnage laden scenes ... it does slumber party horror with a wink, a nod, and a slash to fans who like low-fi horror."

A 12th grade European History educator, Ty Anderson, whose minor online communication with a teasing student finds him immediately terminated from school grounds and snaps him into a psychotic killing spree, terrorizing his former female students at their slumber party.

Mile High Horror Film Festival 2014 Feature Films announced

Mile High Horror Film Festival 2014 Headerby Seth Metoyer

It's that time of year again and this years Mile High Horror Film Festival is going to bring it!

Check out the full horror film feature film lineup below.

From The Press Release:
The Mile High Horror Film Festival returns to celebrate five strong years with our best film lineup yet.

This year, the festival expands to include 80 independent horror films from 18 different countries. From slasher maniacs to supernatural spirits, this year’s film lineup is sure to make your skin crawl.

We have several special events lined up that pay homage to the genre: a 60th anniversary presentation of CREATURE FROM THE BLACK LAGOON in 3D with actress Julie Adams in person, a 40th anniversary presentation of THE TEXAS CHAIN SAW MASSACRE with the original 'Leatherface,' Gunnar Hansen in person, CANDYMAN with horror icon Tony Todd in person, and a 15-year anniversary reunion for THE BLAIR WITCH PROJECT with directors Dan Myrick and Eduardo Sanchez in person.

For fans of monster flicks, our films EXISTS (2014 USA), X MOOR, and LATE PHASES (2014 USA) are sure to please. Slasher fans, don’t miss PRESERVATION (2014 USA), DER SAMURAI (2014 Germany), and DEAD SNOW 2 (2014 Norway/Iceland).

If you like psychological thrillers, this lineup is sure to keep the heart pumping all weekend long: THE MAN IN THE ORANGE JACKET (2014 Latvia/Estonia), BLOOD PUNCH (2013 USA), HOOKED UP (2013 Spain), THE RECONSTRUCTION OF WILLIAM ZERO (2014 USA) STILL LIFE (2014 Argentina), and HOUSEBOUND (2014 New Zealand).

Take a sneak peek of 'Dwelling' scream queens Erin Marie Hogan and Devanny Pinn

Dwelling with Devanny Pinn and Erin Marie Hoganby Seth Metoyer

An early sneak peek clip of the upcoming paranormal thriller Dwelling has been released.

Take a look at the creepy clip starring two of my favorite 'Scream Queens' Erin Marie Hogan and Devanny Pinn under the official details.

From The Press Release
BeWILdered Media Productions, the independent film production company based in Buffalo, New York, has just released an exclusive sneak peek at their upcoming film “Dwelling”.

The clip screened at Scare-A-Con in Syracuse, NY last Friday starring Erin Marie Hogan and Devanny Pinn as sisters Ellie and River, respectively.

Written and directed by Kyle Mecca, the story follows Ellie (Erin Marie Hogan), a young woman who deliberately buys a haunted house in attempt to make contact with the spirit world. Driven by a horrific experience in her past involving her sister, River (Devanny Pinn), Ellie releases a soul that is more malevolent and terrifying than she could ever imagine preying upon her family. Co-starring Mu-Shaka Benson as Gavin and introducing Abigail Mary as Izzy.

Produced by Brandyn T. Williams and Arlynn Knauff of BeWILdered Media Productions LLC in Buffalo, NY and shot by Matthew A. Nardone of NDstudios Inc.

Invaders from Mars (1986) review

Invaders from MarsReviewed by Kevin Scott

Invaders from Mars (1986)
Directed by: Tobe Hooper
Written by: Richard Blake, Don Jakoby, and Dan O’Bannon
Cast: Hunter Carson (David Gardner), Karen Black (Linda Magnusson), Timothy Bottoms (George Gardner), Laraine Newman (Ellen Gardner), James Karen (Gen. Climet Wilson), Bud Cort (Mark Weinstein)

The best that I can tell, nostalgia runs on a thirty year cycle. I can speculate that what everybody watches as children, shapes them into adults with a deep seated desire to emulate it or watch it being emulated. A select few make it to a position where they can actually interject that nostalgia into the contemporary mainstream, and satisfy both the fans of the original material, but also put such a spit shine on the old premise that even the youngsters dig it, and have no idea that it’s based on something way older than they are. In the 1980’s we were nostalgic for the 1950’s mainly because the filmmakers of that area were kids back then. They sat in ornate downtown movie houses and watched the original versions of the homages they would later film. The old school adventure serials that inspired Indiana Jones for Speilberg, and all the western and sci fi stuff that planted those seeds of greatness for the one and only John Carpenter. We are now enjoying a resurgence in the slasher genre from you guessed it, thirty years ago. I’m definitely not complaining. I’m actually loving every minute of it, and I’m grateful that I’m still around to be the guy that knows all the references to the original stuff, but can still appreciate what’s new and creative.

I’ll tell you what I haven’t seen much of is homages of the homages of 1950’s alien invasion films. Hope that makes sense. James Gunn did it pretty well with “Slither”, and Robert Rodriguez held his own as always with “The Faculty”, but I do miss anything like what Tobe Hooper gave us with the remake of “Invaders from Mars”. Tobe Hooper is underrated anyhow. Maybe not as charismatic as his contemporaries, but a solid director with a lot of underrated films that are really good. He did an upscale alien terror vampire film before this called “Lifeforce”, and of course his crowning achievement was “The Texas Chainsaw Massacre”. I think that unlike his fellow directors, he was pigeonholed, and anything different that he attempted fell on unfavorable opinions. The classic example of that would be “The Texas Chainsaw Massacre Part 2” that came out the same year as “Invaders from Mars”. Hooper did a parody of the visceral film he did before. TCM part 2 still has a mixed following, but Sam Raimi did the same thing with “Evil Dead 2” without as much controversy. Hooper had his wagon hitched to Cannon Films at this time. If you watched an action film with Charles Bronson or Chuck Norris in the 1980’s, it was Cannon, and more specifically, a Golan-Globus production. I must admit, I am incredibly nostalgic for Cannon Films, and love just about everything they did (except Superman 4).

Dominion: Prequel to The Exorcist (2005) Review

DominionReviewed by Jesse Miller

Before Exorcist: The Beginning was set in motion, there was Dominion: Prequel to The Exorcist, which was in production with a different cast and different director before its company, out of fear it wouldn’t be successful, shelved it.

They re-tooled the cast, hired Renny Harlin, gave him a bigger budget and told him to go nuts with it.

This new film would go on to become what we know as Exorcist: The Beginning. However, when The Beginning underperformed, the company decided to resurrect Dominion, reshoot what needed to be done and finally release it to see how that version went.

I can see why the studio feared this take on the prequel story – I mean, when you hear The Exorcist, what do you think? Spider-crawling, vulgar babble, spinning heads and oh yes – vomit, lots of that sweet pea soup vomit.

See, Dominion doesn’t actually have any of that – it’s not interested in going down that same road, it’s more intent on examining the characters, letting atmosphere sink in so that the imagery featured throughout unsettles you, rather than the in-your-face gore and obscenities.

Apart from a few minor differences here or there, Dominion pretty much follows the same story as Exorcist: The Beginning, except that Beginning is noisier and flashier, where Dominion is more of a quiet and reflective character study that is particularly interested in examining the nature of evil.

For example, Dominion actually begins during a flashback to WW2, where Father Merrin witness an incident that causes him to lose his faith, something that is explored carefully throughout the film, where as Beginning reveals it to you over the course of its running time in the manner of flashy editing and so forth.

It’s here that I realised that Dominion is the sophisticated horror film, there are no cheap thrills here, scares are much more subtle and disquieting and because of this, the film is quite effective and haunting.

Motivational Growth (2014) Review

Motivational GrowthReviewed by Jesse Miller

Motivational Growth is the absurd horror-comedy by writer/director/editor Don Thacker that calls to mind other absurd films in a similar vein such as Return of the Killer Tomatoes or Little Shop of Horrors.

30-something Ian (Adrian DiGiovanni) is a recluse, hiding from the world in his brothel of an apartment where he watches bizarre shows on his ancient TV and contemplates suicide. Oh and then there’s The Mold (voiced by Jeffrey Combs) in Ian’s bathroom, a smooth talking entity that tries to get Ian to clean up his act. But The Mold is up to something sinister and its plans go beyond the quiet life of Ian in what ends up a battle of good and evil.

First things first about this crazy little feature – it’s quite energetic. It’s energetic in its cinematography, its energetic in its writing full of ideas, satire, camp and horror and it is energetic in the characters that inhabit the world and the actors who disappear into the characters.
The film has such an energy about it that watching it becomes so delightful and the energy in the production is just quite infectious that I couldn’t help but be caught up in tumbling down the rabbit hole with poor Ian and going along for the ride.

Adrian DiGiovanni is Ian and it’s quite the performance. He’s the loveable slob, equal measures comical and then heartbreaking and it’s the performance of DiGiovanni that sells the character’s transition from comedy to its more dramatic elements.

More so than that, it’s DiGiovanni’s perfect comic timing that helps make the role. The script is throwing gag after gag at the audience that the seconds in a scene are precious and DiGiovanni hits every note and every beat wonderfully, delivering plenty of laughs.

Jeffrey Combs voices The Mold and is an absolute blast in the role. Whether The Mold is bursting into villainous laughter or delivering sage-like advice, its clear Combs is the person to voice this eccentric fungus and it’s clear he himself is having a blast hitting the right beats to deliver the goods.


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