morehorror.com

By Devin Smock, MoreHorror.com Portal to Hell arrives on Digital and VOD September 8, 2026, from Cineverse. There’s something inherently miserable about being a bill collector. Nobody wants to hear from you. Nobody is happy you called. You’re probably interrupting dinner, work or whatever brief period of the day that person managed to forget they owe somebody money. Still, somebody has to do it. That somebody is Dunn. Trey Holland plays him as a guy already beaten down by the

By Damian Hex, MoreHorror.com I’m a fan of the good possession-within-the-family-moving-to-a-new-house trope. Truly, I am. So I couldn't resist watching and writing about a movie called CHAT directed by Ole J Hartmann. As always, I want to include a disclaimer in my reviews: this piece contains spoilers. In this economy, where everything feels expensive, buying a house often means selling your soul to the devil for a bargain and quite literally in this film. The story follows

By Seth Metoyer, MoreHorror.com The fear of being unable to help your own child gives The Spirit Lock an unsettling place to begin. Before the occult promises and ritual warnings take hold, there’s already something painfully human driving the story: a family running out of answers. This brooding indie supernatural film builds its horror around that vulnerability, exploring how desperation can make even the most ominous offer sound like hope. At the center is a parent searchi

By Devin Smock, MoreHorror.com SPOILERS THROUGHOUT Someone involved with Buddy must have spent an ungodly amount of time watching children’s television. Barney, Dora the Explorer, Pee-wee’s Playhouse, probably every aggressively cheerful show where a smiling thing teaches children how to share while adults pretend this is all perfectly normal. Casper Kelly doesn’t just remember those shows. He understands their machinery: the smiling adults, bright primary colors, gentle less

By Devin Smock, MoreHorror.com SPOILERS THROUGHOUT Early in Saccharine, Hana throws a box of doughnuts into the trash and tries to make them inedible. Then she looks back at the trash. I love that moment because Natalie Erika James shoots it almost like Hana is being stalked in a slasher movie. Somewhere down there, beneath the garbage, a doughnut is waiting. Patient. Quiet. Ready to strike. It’s funny until it isn’t, which pretty much describes a lot of Saccharine. James, wh

By Damian Hex, MoreHorror.com Nothing makes this horrorhead’s heart beat faster than witnessing the translation of horror video games to the big screen. Although I have a soft spot for vampires, something primal draws me to zombies. One of the first zombie games I played as a kid was Resident Evil 2 (I know it wasn't part one; I’m sorry). Naturally, I rushed to watch every Resident Evil movie adaptation in theatres. So how do you think I felt when I discovered that Zach Cregg

Video Review by Tia Bean for MoreHorror.com Spooky season may still be creeping around the corner, but More Horror’s Tia Bean has already started the festivities with an advance look at Gator Face, a new slice of Florida-bred creature horror that wears its genre influences proudly. The setup keeps things wonderfully simple. A group of teenagers wrapping up a day at the beach stumble across an isolated house with a disturbing message scrawled across its side. Being teenagers i

By Devin Smock, MoreHorror.com - SPOILERS THROUGHOUT There is something almost reassuring about a movie simply calling itself The Yeti. No subtitle. No colon. No clever mythology bullshit. There is a Yeti. Here is the movie. Expectations appropriately adjusted. Gene Gallerano and William Pisciotta’s creature feature opens in Alaska in 1947, and almost immediately I liked what it was doing. There’s a commitment to the period that goes beyond throwing everyone into old coats an

Eli Roth's Ice Cream Man promises an unhinged summer sugar rush. What arrives feels closer to a cone forgotten on the sidewalk: brightly colored, briefly tempting, yet already melting under the heat.

By Seth Metoyer, MoreHorrorMovies.com - Every time an independent horror film explodes across the internet, two competing emotions rise inside me. First, I feel genuine excitement. I have spent a substantial part of the past 15 years producing more than 20 independent films and composing music for several others. I know how difficult it is to get one of these things made, much less convince the world to stop scrolling long enough to watch it. Then comes a small, admittedly pe

By Seth Metoyer, MoreHorrorMovies.com - Spoiler Warning: This review discusses major plot developments, character deaths, and the ending of Frankie, Maniac Woman. Frankie, Maniac Woman opens with murder and a handful of sand thrown across a body in the Hollywood Hills. That tells you almost everything you need to know about the film’s personality. The bubble rising from the masked killer’s mouth adds a flash of playful indifference. The sand feels theatrical, ritualistic, an

By Seth Metoyer, MoreHorrorMovies.com - If you grew up during the 198os, you probably remember encountering a very specific kind of late-night television fever dream. You would flip through the channels looking for some gloriously cheesy horror movie on USA Up All Night, only to stumble across women in brightly colored leotards bending, stretching and sweating to generic pop music. Neon leg warmers glowed against black studio floors. Synthesizers pulsed. Everyone smiled with

MoreHorrorMovies.com - Adam Werth directs the new sci-fi action-horror film from Mahal Empire Productions, starring Robert Standley, Laura Mason, Tom Arnold, Kevin Sorbo, Glenn Plummer and Greg Tally. Las Vegas has survived mobsters, magicians, bachelor parties and more cinematic destruction than most cities could reasonably endure. In Alien Storm, Sin City faces something far stranger: a mysterious fog carrying a presence that no underground shelter can keep away. The new sc

The Slasher Nurse delivers a fun indie slasher with a strong killer design, solid gore, a cool score, a killer metal song, and enough genre affection to make the whole thing worth a look. It doesn’t reinvent the blade. It doesn’t need to. This is the kind of movie you throw on during a sleepover, a horror hangout, or a late-night background screening with friends while everyone talks, laughs, reacts to the kills, and occasionally looks up to say, “Okay, that was pretty cool.”

By Seth Metoyer, More Horror Movies - Watching Borderline, I often felt like I’d stumbled into a midnight bargain bin horror spoof, an off-kilter late-’90s fever dream. Paul Duerson (Ray Nicholson) is the manic yin to Sophia's (Samara Weaving) brittle yang. He’s a hallucinogenic explosion, equal parts charming creep, jittery cartoon, and unhinged cult leader. I couldn’t decide if he was pitch-perfect or completely over the top, but then, that’s the point, right? Maybe? Not

By Seth Metoyer, MoreHorrorMovies.com - Slashers have always thrived on corn syrup and clichés, but every now and then one pops up that feels like a welcome throwback rather than a tired rerun. Clown in a Cornfield, based on Adam Cesare’s novel, doesn’t reinvent the killer-in-a-mask wheel, but it gives it a fresh spin through sharp aesthetics, a committed lead, and just enough self-awareness to make the ride worth taking. The story follows Quinn Maybrook (Katie Douglas) and h

By Seth Metoyer, MoreHorrorMovies.com - The sky has cracked, the faithful are gone, and what’s left is worse than hell. Azrael drops you into a post-Rapture nightmare and shoves you face-first into the dirt, then dares you to get up. Samara Weaving, one of horror’s most magnetic faces, takes center stage in a film that’s equal parts biblical fever dream and survival gauntlet. After the Rapture strips the world of its believers, the survivors cling to strange, brutal new rule

by Seth Metoyer, MoreHorrorMovies.com - DROP released to Digital platforms on April 29, and will be released on 4K UHD / Blu-ray on June 10. Christopher Landon didn’t write DROP, and that might be the problem. I’ve been rooting for Landon ever since Happy Death Day flipped the slasher formula on its head and Freaky gave us a blood-soaked Freaky Friday remix that somehow worked. He knows how to play with genre, find heart inside horror, and direct actors through tonal gymnas

Review by Seth Metoyer – MoreHorrorMovies.com Grief has a strange way of showing up. Sometimes it knocks. Sometimes it whispers. And sometimes… it just stands silently in the yard. I’m not always the biggest fan of Blumhouse’s execution, but with The Woman in the Yard (available now on digital, and on Blu-ray May 27) , director Jaume Collet-Serra delivers a slow-burning, deeply atmospheric psychological horror film that lingers long after the credits roll, not because of wha

Nosferatu (2024) is, above all else, a feeling. It’s that unsettling sensation of something very old, very malevolent...