TERROR FILMS RELEASING has teamed with writer / director Madeline Doherty to release her found footage horror film, “Fey”. Starring Doherty, Zoe Bishop, Michael Raleigh, and Sam Howard, the film follows Maddy in the final phase of a trauma study. Maddy films her first nights alone since the incident, but as she records, the feeling of being watched returns… Doherty, who also produced Fey, shared her thoughts about the making of the film: “I wanted to make a film I’ve been craving to see. Something raw, unpolished, and so real it barely feels like a movie. The kind of thing you stumble on and think, what could possibly happen next? At its core, this story is about how truth can twist and how people, especially the ones we don’t suspect, can sometimes be the most sinister. That’s real horror. There’s no score, no polish, just choppy cuts, silence, crickets, and a girl alone in her childhood home. I shot it in my real childhood home, with my real parents, and even used real home movies. Most of the cast had never acted before. Everything was designed to feel discovered, not performed. As a lifelong horror fan, I wanted to throw it all on the table for the genre. To give audiences something that feels new but familiar, grounded yet deeply unsettling. Something made for people like me who love horror not just for the scares, but for the stories that stay with you long after the screen goes dark.” TFR will premiere the film across multiple platforms on November 14th, 2025, including Chilling, Scare Network TV, Kings of Horror, Watch Movies Now, Shocks & Docs, TFR’s official AVOD YouTube channel, and many more. Check out the official poster and trailer, courtesy of TERROR FILMS RELEASING. Official Trailer: To Learn more about Terror Films visit: www.terrorfilms.net https://www.facebook.com/TerrorFilmsLLC/ ABOUT TERROR FILMS: Terror Films Releasing is a genre distribution and production company specializing in the acquisition and release of diverse, award-winning indie horror films across 60 platform partners worldwide, including Shudder, Screambox, Netflix, Tubi, Amazon Prime and more. To learn more about TFR, visit: www.TerrorFilms.net.

There’s a new reason for horror fans to lose sleep, and this time, it comes wrapped in the haunting stillness of Shelby Oaks, the directorial debut of YouTube film critic turned filmmaker Chris Stuckmann. The new poster just dropped, and it’s every bit as unnerving as the film itself, a chilling glimpse into the blurred line between memory, faith, and the things we fear might actually be real. At its core, Shelby Oaks follows Mia Brennan (played by the phenomenal Camille Sullivan) on a desperate search for her long-missing sister. But the deeper she digs, the more she begins to suspect that the imaginary demon they invented as kids may not have been imaginary at all. It’s part psychological descent, part supernatural mystery — and 100% designed to burrow under your skin. The project itself is something of a legend already. Born from a small YouTube Halloween sketch shot by Stuckmann and his wife back in 2016, the idea grew into one of the most successful horror crowdfunding campaigns in history. Against all odds, Shelby Oaks shattered records on Kickstarter, pulling in nearly $1.4 million, and ultimately landing with the genre powerhouse NEON (the studio behind The Lodge, Infinity Pool, and Titane). This film has the DNA of a modern cult classic. Stuckmann draws inspiration from Lake Mungo, The Sixth Sense, and Signs, combining that documentary-style eeriness with cinematic craftsmanship. What began as a tale about missing YouTubers evolved into something deeper, a personal exploration of loss, family, and faith, filtered through the eyes of someone haunted by what they left behind. The film features a stellar supporting cast including Sarah Durn, Michael Beach, Robin Bartlett, Derek Mears, and Keith David, each adding emotional weight and tension to Stuckmann’s world of shadows and secrets. And while the supernatural elements promise plenty of jolts, Shelby Oaks is really about the horror that comes from within, the fear of losing someone, of losing belief, and of facing what’s waiting when the lights go out. The new poster teases just that: the familiar dread of something you can’t quite see but feel watching you anyway. A story born from VHS nightmares and internet folklore, now fully realized under the eerie glow of modern horror. Shelby Oaks premiered at Fantasia International Film Festival and FrightFest to strong buzz and is set to arrive via NEON soon. Expect something beautifully unnerving, the kind of movie that crawls under your skin, whispers your name, and doesn’t let go.

Get ready for the galaxy’s most seductive invasion! Asteroid Vixens, directed and written by Felicity Yeung (White Slaves of K-Town), is a dazzling new sci-fi comedy that mixes vintage B-movie flair with unbridled cosmic chaos. Ambitious embots from a distant galaxy are scouring Earth—across space and time—in search of the planet’s most beautiful women! Their mission? To abduct and seed a new race of sultry, unstoppable hybrid humanoids! From beyond the stars… and beneath the sheets! As planetary panic ignites, danger—and desire—explode when Dr. Grundles returns from the Himalayas and the legendary Cult Film Goddess Bouvier (appearing in rare archive footage) rises from the grave! Alongside him stand an eclectic cast led by Kate Lý Johnston (Xex/Uku/Mosha), with more curves than the Milky Way, Lloyd Kaufman (High Priest), and Andy Dick (Space Chief), with unforgettable turns from Jared Masters (Jerome), Erin Luo (Morgan), Art Roberts (Piet), and cult icon Rodney Bingenheimer (Wanderer). Supporting performances from Lorene Song, Dallas Chandler, Jeffrey Dean Gray, Kendall Maye, and Pamula bring the world of Asteroid Vixens to vivid, hilarious life. Meanwhile, Pamula—the super-seductive Space Queen of a nearby microcosm—plots to seize the Ancient Iron Orb, the cosmic key that could unlock (or unravel) an entirely new universe! Bursting with outrageous cameos, scandalous surprises, and intergalactic innuendo, Asteroid Vixens dares to ask: Where do they clone? How do they breed? And can YOU handle the answer? Cloned, toned, and ready to explode! The galaxy’s hottest abductions are about to begin! So sexy, it’s out of this world! A Maraschino Film Group presentation in association with Ohm Entertainment. Produced by Stan Divranos, Mark Hopwood, and Hank E. Panky, with original music by Karl Casey and Seth Metoyer and cinematography by Lyle Stratton, Asteroid Vixens is the blast from the beyond you’ve been waiting for. Available now on Plex, nostalgically on VHS (eBay), and gloriously on DVD! One Iron Orb. Infinite pleasures. Total destruction. Special Thanks: Armin Arad, Roger Barr, Michael J. Bello, Megan Johnson Foster, Mark Hopwood, Ethan Jordan, Andrew La Rocca, Karl Morgan, Taylor Norton, and Calvin Sands. Where they clone… how they breed… now you’ll see! Trailer: Plex: https://watch.plex.tv/movie/asteroid-vixens

By Seth Metoyer, More Horror Movies - Watching Borderline, I often felt like I’d stumbled into a midnight bargain bin horror spoof, an off-kilter late-’90s fever dream. Paul Duerson (Ray Nicholson) is the manic yin to Sophia's (Samara Weaving) brittle yang. He’s a hallucinogenic explosion, equal parts charming creep, jittery cartoon, and unhinged cult leader. I couldn’t decide if he was pitch-perfect or completely over the top, but then, that’s the point, right? Maybe? Not unlike a low-budget Tubi reject that unexpectedly charms its way into your nightmares. Samara Weaving... a shock that she wasn’t front and center. I adore her, but here, she seemed disoriented. Her reactions just off-kilter enough to feel both intentional and under-directed. My money’s on the filmmaker leaning into the fractured-psyche motif, but the result is a lot of “what am I looking at here?” faces. Structurally, the film feels padded. It sprints off like a happy lunatic, but halfway through it bogs down with wallops and dark jokes that get buried under plot scaffolding. As a genre piece, it flirts with greatness: absurd violence keyed to campy needle drops, a twisted wedding ceremony, and Nicholson’s innocent-but-psychotic sincerity. But it never quite lands on all cylinders. Having scored music for a similar low-budget horror comedy myself, I see the promise buried beneath the missteps. Low-budget horror is a sandbox for bold ideas, and this movie tries to go big, but maybe too big. My overall take is that Borderline is bloated, on the verge of fun...but doesn't quite get there and is occasionally brilliant. But the balance never steadies. Rating: 3/5 Blood Drops

MoreHorrorMovies.com - Don’t forget to flush. Blue Fox Entertainment has unleashed the official trailer and artwork for SCARED SHITLESS, a creature-feature horror comedy headed to U.S. theaters and VOD on October 3, 2025. The film stars the ever-unpredictable Steven Ogg (Grand Theft Auto V, The Walking Dead, Westworld) as a blue-collar plumber who finds himself knee-deep in a very different kind of nightmare. Along for the ride is Daniel Doheny (Alex Strangelove, Syfy’s Day of the Dead), playing his germaphobic son who would rather do anything than unclog pipes. Rounding out the cast are Chelsea Clark (Ginny & Georgia, Degrassi: Next Class) and comedy legend Mark McKinney (The Kids in the Hall). After racking up awards and over 25 international festival selections, Scared Shitless is ready to make a mess in front of a much bigger audience. The Premise When a genetically engineered, bloodthirsty creature slips into the plumbing system of an apartment complex, a reluctant father-son duo are forced to face their worst fears—and get their hands dirty—to keep the tenants alive. Expect clogged drains, plenty of carnage, and a wicked streak of toilet humor. Genre: Horror Comedy Distributor: Blue Fox Entertainment Production Company:Happy Cat Productions Directed by: Vivieno Caldinelli Written by: Brandon Cohen Produced by: Lewis Spring Cast: Steven Ogg, Daniel Doheny, Chelsea Clark, Mark McKinney, Marcia Bennet Tagline: Don't forget to flush! Logline: Two plumbers are forced to save the residents of a building when they discover a killer creature in the pipes. Synopsis: Don, a blue-collar plumber and Sonny, his germaphobic son, are forced to take care of one another after the death of Sonny’s mom. To help Sonny overcome his germaphobia, Don drags him out on a routine house-call where they encounter a plumber's worst nightmare… a vicious killer creature that’s swimming through the pipes, killing the building's tenants in an increasingly grisly fashion. Country: Canada Language: English Not Rated Year: 2025

By Seth Metoyer, MoreHorrorMovies.com - Slashers have always thrived on corn syrup and clichés, but every now and then one pops up that feels like a welcome throwback rather than a tired rerun. Clown in a Cornfield, based on Adam Cesare’s novel, doesn’t reinvent the killer-in-a-mask wheel, but it gives it a fresh spin through sharp aesthetics, a committed lead, and just enough self-awareness to make the ride worth taking. The story follows Quinn Maybrook (Katie Douglas) and her father as they relocate to the small town of Kettle Springs, Missouri, a community still rotting from the ashes of its syrup factory. Like all good horror towns, it’s got secrets buried in the fields and an old mascot, Frendo the Clown, who’s gone from local sideshow to blood-spattered boogeyman. What begins as teenage hijinks quickly unravels into a night of carnage where everyone’s a suspect and nobody’s safe once the masks go on. Katie Douglas shoulders the film with swagger and heart, delivering a performance that immediately recalls a younger Elliot Page in Juno—all confidence, sarcasm, and raw vulnerability. In a genre that often treats final girls like plot furniture, Douglas feels flesh-and-blood. The supporting cast is solid too, leaning into the small-town teen archetypes without sinking into parody. Director Brett Simmons bathes the film in glossy dread. The cinematography is slick, the cornfields appropriately ominous, and the parade-turned-bloodbath sequences feel lifted from a fever dream midway between Americana and nightmare. The clowns themselves are genuinely unnerving, their masks frozen in grotesque cheer. Still, a lingering question nags, why didn't anyone remove the clown masks sooner? However, the answer doesn’t matter much when the imagery is this strong. The score deserves its own nod; it’s a love letter to horror history, peppered with motifs that echo Friday the 13th and other classic slashers. It doesn’t just score the kills; it winks at the audience, daring you to catch its sly homages while you squirm. For all its craft, the final act wobbles. The third-act reveal feels more obligatory than explosive, less of a kick to the nuts and more of a shrug. Maybe that’s the price of being a horror lifer, you’ve seen too many cornfield escapades and teenage massacres to be surprised by another. It’s not bad, just anticlimactic, and it leaves the film ending with a whisper instead of a scream. Clown in a Cornfield is a stylish slice of small-town terror, a film that knows exactly what kind of blood-spattered playground it’s in. It’s derivative, sure, but derivative done well. Douglas elevates the material, the aesthetics are spot-on, and the score makes genre fans grin like maniacs. It may not be the next Halloween, but it’s a hell of a fun night at the movies, especially if you’ve got a soft spot for slashers with hay in their teeth. Rating: 3.5 out of 5 Blood Drips

By Seth Metoyer, MoreHorrorMovies.com - The sky has cracked, the faithful are gone, and what’s left is worse than hell. Azrael drops you into a post-Rapture nightmare and shoves you face-first into the dirt, then dares you to get up. Samara Weaving, one of horror’s most magnetic faces, takes center stage in a film that’s equal parts biblical fever dream and survival gauntlet. After the Rapture strips the world of its believers, the survivors cling to strange, brutal new rules. In one forest-bound cult, speaking has been outlawed, the act itself now considered a sin. Azrael (Samara Weaving) and her lover, Kenan, are exiled from this silent society and quickly find themselves hunted. Captured by zealots, she’s marked for sacrifice to the Burned Ones. Grotesque, charred creatures that stalk the land, drawn by scent and driven by hunger. Her escape becomes a desperate trek through a wasteland of fanatics, monsters, and a theology warped beyond recognition. The path leads back to the cult, to a pregnant leader, and to a final, disturbing revelation that closes the circle in blood. Samara Weaving is the kind of actor who can hold your gaze without a single word. In Azrael, she’s a force of pure physical storytelling. Every look, every movement, feels loaded with tension. She’s utterly convincing as a woman clawing for survival in a world where speaking could get you killed. I’ve said it before, she deserves more big studio work, but she owns the horror space in a way few can match. The film’s hook is smart: take the Rapture, strip it of its usual sanitized depictions, and make it frightening again. Historically, the idea of a Rapture isn’t even ancient theology, it’s a modern invention, barely a century old. Here, it’s reimagined as a catalyst for fanaticism and terror. The silence rule is especially chilling, turning human interaction into something dangerous. It reminded me of A Quiet Place, but with a sharper edge since the real threat isn’t only the creatures, it’s the people enforcing the law. The Burned Ones are nightmare fuel. Their design is brutal and specific, like they’ve crawled out of both fire and plague. They’re fast, vicious, and carry a strange, tragic menace. It’s the kind of practical and visual work horror fans live for. Where Azrael falters is in the depth of its world-building. The concept is there, but the details often feel brushed over. The result is a film that runs on mood and tension more than layered storytelling. Sometimes that works, silence and ambiguity can draw you in, but there are moments where you wish for more answers. That sparseness does make the whole thing feel like a fever dream you’ve been dropped into mid-scene. At its core, this is stripped-down survival horror. Azrael runs, hides, fights, bleeds, and endures. The film lives and dies on her presence, and fortunately, Weaving carries it with a performance that sticks. Azrael won’t change the genre, but it’s a nasty, atmospheric ride worth taking. It blends religious dread, post-apocalyptic grit, and creature-feature chaos into something that sticks in your head after the credits roll. It’s Samara Weaving’s show from start to finish, and she makes every silent beat count. Not flawless, but when the Burned Ones are on the hunt and the screen is dripping with menace, it hits the spot. If you like your horror bloody, strange, and just a little blasphemous, Azrael will scratch that itch without ever raising its voice.

Jurassic World Rebirth  is now available digitally, and if you like your chaos in 4K UHD, Blu-ray, or good ol’ DVD form, mark your calendars: September 9, 2025 , courtesy of Universal Pictures Home Entertainment in collaboration with Amblin Entertainment. So here it is: Jurassic World Rebirth , a film that doesn’t exactly surprise, but roars, sometimes predictably, but often satisfyingly. It’s like cracking open a cold one with your best pal who tells the same jokes every time... and you still laugh because, hell, familiarity is primo comfort. The Meat of the Bones This entry is rooted in good, ambitious craftsmanship. Gareth Edwards and screenwriter David Koepp (who co-wrote the original Jurassic Park ) steer us back to simpler thrills. People lost, dinos prowling, tension rising, with a glossy sheen and zero pretense. The visual finesse alone, from golden-hour glints to smoky flare-lit skies, is downright dazzling. Horror-Adjacent Pulses There’s something deliciously “wrong” hiding behind the CGI, a mutated, twisted Distortus rex  driven by sympathy and fear, and a chilling bat-like Mutadon  whose stick-the-landing reveal will whisper “predator” in your ear. That’s your horror spark right there—when what you see doesn’t let you look away. The Good Stuff Spectacle & Nostalgia : It throws back to the awe of the original without drowning in nostalgia, more a respectful tip of the hat, less a parade. Strong New Faces : Scarlett Johansson brings fire as Zora Bennett, and the new cast, Ali, Bailey, packs charisma enough to make you care, however lightly. Score : Alexandre Desplat’s orchestral work is lush and layered, softly echoing John Williams while leaving its own footprint, though at times it’s buried under roars and mayhem. The Weak Bits Formula Fatigue : The lack of narrative bravery, too many mid-lingering dialogue scenes, two clunky half-plots jostling for space. It’s all familiar beats with little deviation. Predictability : This isn’t reinventing the dinosaur. It’s more like a robust remix. Emotional Thinness : That stranded family subplot is a narrative speed bump that doesn't add much beyond a reminder that kids + dinos = highest stakes, lowest gain. Critical Consensus Mixed-to-mildly-positive. Rotten Tomatoes has it sitting at a 53%  critics score, meh, but not extinct. CinemaScore audiences gave it a solid B , a Jurassic crowd pleaser. Some reviews hail it as the first good one in ages, a return to form; others see it as puffed-up dinosaur popcorn with wobbly bones. In the end, Jurassic World Rebirth  is less about breaking new ground and more about stomping confidently across familiar territory. It delivers the spectacle fans expect, peppered with enough eerie, horror-adjacent moments to keep genre lovers leaning forward. While it may not dig deep emotionally or rewrite the franchise’s DNA, it offers a polished, entertaining ride that proves there’s still life. Ferocious, fanged, and just a little bit sinister in these prehistoric giants.

MoreHorrorMovies.com - Prepare Yourself for the Ultimate Cryptid Chaos: BIGFOOT BREEDS  Is Here to Wreck Your Sanity (In the Best Way Possible)! From the beautifully twisted mind of Jared Masters ( Slink , 8 Reels of Sewage ) comes Bigfoot Breeds —a horror-comedy so outrageous it makes other creature features look like PBS documentaries. This isn't just a Bigfoot movie. It's a mutation of a mutation , packed with practical effects (because real blood looks better than pixels), off-the-wall performances, and a storyline that sounds like it crawled straight out of a fever dream... and we are absolutely here for it. Think: Sasquatch meets grindhouse. Cryptid carnage meets belly laughs. This film promises squibs, fur, inappropriate choices, and enough WTF moments to fuel a decade of midnight screenings. It's the kind of bonkers cinema that horror fans live for , bold, bizarre, and unapologetically over the top. Wanna be part of something insane and glorious? Now’s your chance. Back Bigfoot Breeds  on Indiegogo and get perks as wild as the plot. Your support helps unleash this hairy beast onto an unsuspecting world, and trust us, this thing deserves  to exist. 👉 Contribute now: https://igg.me/at/bigfootbreeds/x/378020#/ Your nightmares (and your inner party goblin) will thank you.

MoreHorrorMovies.com DARK SKY FILMS ANNOUNCES AUGUST 22 RELEASE OF LILLY LIVES ALONE A Haunting New Horror/Drama from Yellow Veil Pictures Starring Re-Animator Icon Jeffrey Combs In Theaters + VOD/Digital August 22 comes LILLY LIVES ALONE — the dreamy, dizzy, devastating debut feature from writer/director Martin Melnick, brought to us by Dark Sky Films and Yellow Veil Pictures. SYNOPSIS: Ten years after the tragic death of her young daughter, Lilly (Shannon Beeby) is barely holding it together. Haunted by grief, numbed by pills and alcohol, and stuck in a loop of hollow hookups, her reality begins to fracture. When a new fling (Ryan Jonze) arrives during the painful anniversary of her loss, he’s greeted by a woman unraveling, and maybe by something else entirely. As trauma, memory, and the supernatural intertwine, Lilly Lives Alone becomes a slow, surreal descent into the past that refuses to stay buried. CAST: Jeffrey Combs (Re-Animator, The Frighteners) Shannon Beeby (Orange is the New Black) Ryan Jonze (The Blacklist) Erin Way (The Handmaid’s Tale) Written & Directed by: Martin Melnick Runtime: 100 mins | Genre: Horror/Drama Distributed by: Dark Sky Films WHAT THE CRITICS ARE SAYING: "A dreamy, dizzy masterpiece." – Dread Central "Feverish and deeply nuanced… disorienting, confusing, distressing, and utterly brilliant." – Dread Central "If vibes and riddles without answers are your jam, this might be the movie for you." – Horror Press "A haunting journey through loneliness and loss." – Creepy Kingdom Mark your calendars for August 22 and prepare for a haunting ride into grief, memory, and the horror of isolation. Lilly doesn’t just live alone — she lives with ghosts.

MoreHorrorMovies.com - Only in Theaters – September 12, 2025 There are horror films that rattle you. Then there’s TRAUMATIKA  , a film so intense, they’re not even allowed  to show you the trailer. No joke. “Due to the intense nature of TRAUMATIKA, we are not permitted to show the trailer.” This is not a movie you see. This is a movie you survive . You have been warned. Directed by Pierre Tsigaridis  ( Two Witches ) and written by Tsigaridis and Maxime Rançon , TRAUMATIKA  is poised to be this year’s most haunting entry in the possession subgenre, a psychological and supernatural gut-punch that skips the cheap jump scares and digs straight into your subconscious. THE SETUP: A young boy suffers from horrifying night terrors, but things spiral into true terror when his mother begins showing signs of demonic possession. What starts as a nightmare becomes a generational curse — one that won’t stop until it's claimed its last soul. You’ll witness the unraveling of innocence, faith, and family as trauma takes on a monstrous form. Run time:  81 minutes Rating:  Unrated (and you’ll understand why) THE CAST: Rebekah Kennedy Emily Goss Ranen Navat AJ Bowen Sean O’Bryan Susan Gayle Watts Sean Whalen With a cast this strong and direction this fearless, TRAUMATIKA  isn’t just aiming for screams — it’s aiming for scars. SEE IT… IF YOU DARE This one demands to be experienced in a dark theater, where escape isn’t an option. TRAUMATIKA  hits theaters September 12, 2025 , and it’s already being whispered about as the  film to beat for horror fans craving something that feels genuinely dangerous. We’ll update you with more coverage as the release gets closer, assuming we make it out alive. TEASER TRAILER:

MoreHorrorMovies.com - Lock your doors. Close the curtains. And pray they don’t remember you… The masked murderers from The Strangers  are back, and this time, they’re not just playing house. The Strangers: Chapter 2  hits theaters September 26, 2025, bringing another blood-soaked chapter of unrelenting terror, with Madelaine Petsch ( Riverdale , Polaroid ) once again in the crosshairs. Directed by action-horror legend Renny Harlin ( Die Hard 2 , Cliffhanger , Exorcist: The Beginning ), and written by Alan R. Cohen and Alan Freedland ( Due Date , King of the Hill ), this sequel dives deeper into the nightmare that began in the 2024 reboot. Maya Survived… But the Strangers Remember Picking up where the first film left off, Chapter 2  finds Maya (Petsch) alive but far from safe. After somehow escaping the masked trio’s brutal game of cat and mouse, Maya learns the terrifying truth: they’re not done with her. And these Strangers, they don’t forgive. They don’t forget. And they absolutely don’t  leave witnesses. Co-starring Gabriel Basso ( The Night Agent , Super 8 ) and Ema Horvath ( What Lies Below ), the film promises to up the ante on suspense, gore, and that creeping dread that made the original such a genre staple. As Maya tries to escape their grasp once again, the body count rises, and no one who stands in the killers’ way is safe. The Strangers’ only motivation? Pure, senseless violence. Don’t miss the next horrifying chapter when The Strangers: Chapter 2  slashes into theaters September 26. Follow the official accounts for updates, trailers, and sneak peeks at what horrors await: 🔪 Instagram:  @thestrangersfilm 🔪 Facebook:  @thestrangers 🔪 X (Twitter):  @strangers_film 🔪 TikTok: @thestrangersmovie